Friday, 17 September 2021

Reviewing Fanmade Pokemon: Quarantine Crystal, Part 5

Part five of my review of the fan-made Pokemon designs in the fan-romhack Quarantine Crystal. This one took a bit longer for me to publish. Apologies.  

Once more, with thanks to commenter Heckbot, who provided all of the screenshots for the dex entries. 

EDIT: Republished around a week later after fixing a bunch of swapped images and a bunch of typos.

Smucious here is an... interesting one. The idea is for a succubus Pokemon, I think, looking at her and her evolution, and... and it's interesting? There's a pleasantly Digimon-esque vibe to this little critter's design. I like the very fairy-like body, the two tiny bat-wings, the lack of eyes and the fact that its face is just dominated with a single pair of thick lips. It's a lot more of a 'kissing monster' than the official Smoochum or Jynx, which are just... weirdly-drawn humans. Smucious at least looks like some sort of more ethereal-looking fairy-like monster. I wonder if it just visits people in their dreams, or if it physically shows up and drains blood or something like a mosquito? 

Presumably Fairy-type, or Fairy/Dark.

I am very pleasant to see that the evolved form isn't just a sexy lady! Smotherene has the silhouette of one from a distance, yes -- a humanoid torso, more pronounced legs, and the horns have evolved into 'pigtails', but I do like that it's still a creepy succubus demon. It's more obviously a vampire, too, with vampiric fangs and stuff. I don't have too much to say here -- it's a very cool way to adapt a concept like the succubus (something that is very much not a regular Pokemon prompt) into a Pokemon in a way that makes sense, I feel.

A cutie! This one almost looks like some sort of Metroid or Mega Man enemy or something. It's a cute little bat-dragon whose body is a pyramid! I like the little fangs (feet?) poking out of it, and I especially like that it doesn't really have any sort of conventional face. Such a cute weirdo! Kodoroyah is a little fear spirit, too, being a little gremlin that 'spreads fear through the land', but is also absolutely terrified by Smucious.

Dragon or Dark, presumably? Dark/Dragon when evolved? Being either or both would definitely cause its fear of a Fairy-type something that makes sense!

The evolved form, Casanocte, has such a neat 'tokusatsu kaiju monster' vibe to him! I love those two tiny eyes nestled within a black void, and I like the two giant horns bordering the face. Interestingly, while its smaller form is afraid of Smucious, Casanocte is actually a creature that tries to woo Smucious's evolved form Smotherene. So basically just like a little boy who is afraid of cooties, but grows up into a man who woos women? Do these form a breeding pair like the Nidorans, too? Also, judging by the name of "Kodoroyah", and the two giant spikes on the sides of his head, I'm 90% sure that Casanocte is meant to be a homage to the Godzilla monster Destoroyah. 

I wonder if there's a specific area for these more hell-themed monsters to hang out?

We move to what I think is a three-stage evolutionary line. Missteria is a cute little mummy Pokemon! It's also noted as a tense spirit, and identified as a 'Torment' creature. Pretty cute sprite, but otherwise not that interesting if taken alone. But it's not alone! Or, well, not exactly. 

Unfortunately, cute little anime-mascot Missteria ends up being captured by someone and tossed into an iron maiden! Or a Dismaiden, in any case! Oh no, look at that terrified :o face that Dismaiden has! It's not as brutal as traditional depictions of iron maidens are, but there are those bulbs running down the side that might actually be like, needles or sword hilts. Such a clever way to do the 'ghost sealed in an object' trope!

Poor Dismaiden is described as a 'curious spirit confined', and that it ponders about life in solitude. Oh no! Does it become Ghost/Steel when it gains its shell?

And then we get the glorious final form, Bedlamam. Such a cool, cool design! The iron maiden armour of Dismaiden just explodes out in this hideous, eldritch abomination. The spirit of Missteria has apparently merged with the torture device that held her in place. Look at how nasty it is,  and I love that it's using spikes to essentially make a 'face' with those two pointy things as eyes and two more below resembling a bug mandible. And, of course, the parts of the iron maiden that cover the body has turned into a spiky, set of maws resembling wings. And I was right! Those nubs are the tips of needles!

And you'd think that this eldritch abomination would be a terrifying monster out for revenge, but no! "This Pokemon is rather sweet", says the Pokedex. It's curious about the world! Just, uh, don't go around giving hugs to people with your spiky butterfly arms, Bedlamam! I really like this evolutionary line as a set, and I appreciate that it's given a happy ending. Even mummy ghosts that merge with their torture implements deserve happinesss!


Another pretty cool one! Hoplaque here is a little bony fang, but he also looks like a cute little fish! A bony fish, at least. But! But the Hoplaque's dex entry talks about how the buried fang of a dragon Pokemon would grow into Hoplqaues, which act as fierce guardians. It's a reference to a Greek mythology, where the hero Cadmus slew a dragon that guarded the spring of the god of war Ares, and harvested the teeth of the dragon. When he planted them in the soil, they transformed into fully armed warriors called Spartoi. Jason would toss a jewel in the midst of the warriors, and they would fight each other. Hoplaque's just the dragon teeth!

Dragon/Ghost?

It evolves into Phanguard, which is a more humanoid figure, which would be the soldiers that grew from the dragon's teeth. Except this Pokemon actually does retain memories of life as a dragon! Do teeth do that? Do all the Phanguards that fall from the same Brigadoom share the same memories? "It yearns to be one again", so I guess all the Phanguards that come from a single dragon's teeth are all trying to combine into a singular whole again? Pretty cool.

Design-wise, I really like the ratty cape that Phanguard has here, but my favourite aspect of him has to be the head. I thought it's just an unconventional skull or a pumpkin head for a bit before realizing that, no, it's a freaking molar! As in the teeth! Genius. 

In the myth of Jason and the Argonauts, the dragon-teeth were just things that grew into soldiers and that's it for them. But this is Pokemon, so of course the skeletal warriors grew into a giant skeletal dragon. "Brigadoom" is a fucking cool name, too! I do like how this isn't just a dinosaurian skeleton and that's it -- Dracoliches are cool, but this is Pokemon! And I really like the face in particular, with the pronounced lower jawbone. Also love the tattered wings that match that of Phanguard, and I do like that there seem to be a bunch of skulls littered all over Brigadoom's body, like where the front arms connect to the torso and stuff. Pretty cool! Looking at the design a bit more, I guess this is less the 'original form' of the dragon, but more of a bunch of Phanguards merging together to create an approximation of the dragon that they once was? It is a 'legion' Pokemon, after all!

AAAA WHAT A CUTIE. I just like owl masks on little ghostly bodies, okay? There was one of these mask-birds in Pokemon Uranium too, although that one had a more opera theme to it. Oscurasa is much more obviously a ghostly specter that just happens to have an owl mask for a face. Such pleasant colours, too! It's identified as a 'harpy', which is interesting -- harpies, as far as I remember, don't have any ghostly connotations to them. Owls are called 'ghost birds' in some languages, though, so making an owl Pokemon into a ghostly, haunting figure that silently moves in the night and just stares and judges with those massive, creepy eyes... I approve.

Ghost/Flying, I assume? Or merely just Flying, since they're only 'thought' to be lost spirits?

Madrugasa is the evolved form, and it's basically got a more defined bird-of-prey anatomy. Despite looking like a ghost himself, Madrugasa goes off to fly and save people being haunted by ghosts with a dance. A really cool concept for an owl Pokemon, and I do like how relatively simple of a concept it is, but still manages to feel so much more unique compared to Decidueye, the other ghost-owl that Pokemon actually made!

YES! A scarecrow monster! Not just a scarecrow monster, but a creepy-murder-of-crows monster! Two of my favourite horror tropes! Murdermis is a raggedy scarecrow which has exploded and created a massive body made of a swarm of birds (non-Pokemon birds? Or like several dozen unfortunate Murkrows?) to form its body. Very awesome! Murdermis is seemingly benevolent, using his murder of crows to protect the crops, but what about the massive army of birds that he has presumably enslaved with the 'strange force' inside the pumpkin head?

I really like this one. Ghost/Grass? Ghost/Flying? Just Ghost? Very cool concept, whatever typing he is. 

Oh, it's a long cat, I think? I'm not sure if the 'hunter of the mountains' is meant to refer to a specific mythological creature, but Purraatzle is like, a super-long patchwork cat doll that likes to cuddle for warmth. A cute concept, and I especially like the button eyes and the little pieces of stuffing that's peeking out of the sides of Purraatzle's body. It's cute! I think it's meant to be a nod on how humanity's domesticated wild tigers and lynxes and eventually turned them into the adorable kitty-cats that live with us now. 

Presumably just a Normal-type. 

Speaking of kitties, we've got Odditten! At some point, humanity sent Shabbycat into space, but when it returned, Odditten emerged. What a cool origin story for this Pokemon! I don't think modern-day Pokemon does these sort of pulp 80's sci-fi movie origin stories anymore -- stuff like "Grimer was factory goop animated by moonlight" or whatever. But Odditten's a cat that has been transformed by exposure to space! So cool! What alien species did this, I wonder? Quarantine does have a large selection to pick from...

Odditten himself doesn't really seem to care. Look at that swagger! He's a cute space cat with a mask-like face and he's just prancing around making a  ( - o - ) face. I like the shape of the tail, which looks a bit like an alien tree. Not sure if this is in a reference to a specific breed of cat, since we got a bunch of specific dog breeds before. 

Astrotom is the evolution, and, oh, I get it. These are 'glam star' cats and they come from the stars. Astrotom looks a bit more alien, although not by that much, really. It's got a longer neck and longer limbs, but real cats also kind of have surprisingly long legs sometimes. I do like the head design with the way the fur is arranged, it really reminds me of background aliens in like, old comic books or Saturday morning cartoons. 

Since these are space Pokemon, I'm obligated to speculate that they are Psychic-type. 

One of my favourites, due to just how utterly creative it is. Clibble is an adorable little creature made out of staple clips! But look at that face. Look at those adorable baby eyes with the two bug-fangs. This guy looks like a pillbug or something, and it just goes around 'clipping' itself onto machines or ore veins to leech energy! Hell, look at the species name. The 'stable' Pokemon. Because it's based on a staple. 

A pure Steel-type, presumably?

Of course, Clibble evolves into a staple monster, but instead of a robot, it evolves into a Giguard! Such a fucking creative decision by the art team, too, to take the Alien franchise's lead monster and to see that, hey, that giant elongated head doesn't just resemble a human phallus, but it also resembles a stapler! Especially with those prominent fangs! The rest of Giguard's body is basically a stylization of the Xenomorph, but it's okay. I love that it's a giant stapler monster now. 

In a hilarious, twist of how the Xenomorphs reproduce, Giguards are very, very good parents! They will help embed young Clibble into machinery. Get it? The stapler Pokemon helps to staple the clips into stuff? What a good parent. I love this take. And, obviously, since all they're doing is presumably leeching energy, they don't go through anything as horrifying as the Xenomorph's parasitic life cycle. 

And then the final stage transform into the animal that I actually associate a bit more with staplers, an alligator! Although I wonder if Gigerator is actually an alternate evolution, because, see, it's not just an alligator with a stapler for a mouth, it's an alligator with a stapler remover for a mouth!

That alone is neat enough, but they even gave him a backstory! It's a Clibble rejected from its pack, so now it evolves not into a stapler that helps other members of its species, but into a terrifying Gigerator, who rips out staple clips from where they are and eat them whole. An enemy against its own species! A pretty cool idea. I love this whole line! 

Speaking of alien Pokemon that might've created Odditten, we've got Navigazer here, who looks a lot like a Metroid crossed with those pinball beetles from the 2D Zelda games. I love it! I love the fact that the squid-like legs look like the ornate legs of a crystal ball, and the head of the squid ends up basically having a little galaxy inside of it. I enjoy the concept, too -- the official Pokemon Nosepass is basically a personified compass, with a magnetic nose that always points north. Navigazer takes it several steps further, where its internal mini-stars will always align with the corresponding points in the sky. That's such a cool concept for a fantasy creature (or item, really). I love it!

Psychic-type? I just have an instant urge to say anything connected to the stars is Psychic-type. Psychic/Rock, considering the evolutions?

The second stage of the evolution is Obelith, who looks even more like some sort of prehistoric squid. Of course, the head part resembles one of those obelisks that fiction likes to associate with ancient aliens. Was it 2001: A Space Odyssey that popularized this? It probably is. Obeliths have this absolutely glorious creepy description where it keeps forming formations and blinks in sequence, making runways for UFO's that never come. 

I wonder if Obelith actually has any connection to a specific alien species? Is it waiting for Yuefoe, the giant UFO computer mouse? Is the same alien species that left it behind the same one responsible for leaving the Junobe line in the oceans?

And we finally have the final stage, the Moneumenn. Of course, it's a pyramid! Kind of! It's more of a spaceship that happens to look like a pyramid, doesn't it? Or, rather, a beacon, as the pokedex itself points out? I like the description how it is planted firmly, and that there are doors that can never open. I like that the dex entry basically points out that the bottom half of the pyramid, the parts that would be below the sand, look a bit more metallic and sci-fi, and there's even a drill for it to plant itself firmly within the sand. 

I think I like Navigazer's concept the best out of the three, but both Moneumenn and Obelith are pretty dang cool too!
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A bit of a shorter one this time around. I debated doing all the way to 250, but I decided to cut it here because of length purposes.

Wednesday, 15 September 2021

One Piece Anime: Wano Arc, Episodes 921-930

As with before, this is more of a collection of my spur-of-the-moment commentary on the One Piece Wano arc as I watch it in anime format! A lot of my opinions that I had when I watched the past 30 or so episodes still stand. Sure, there are moments where it's obvious filler, but for the most part I really do think that the pacing is really helped out and extended in the anime, particularly with how many things in the manga is off-screen'd or glossed over. 

Again, less of a 'review' and more of a running commentary. Previous parts here and here. 

In other anime news, I also recently watched a chunk of the anime version of Kumo desu ga, nani ka? and it's so... different from the manga? I realize that both of them are adapted from a light novel series, but it's interesting to note that the manga basically focuses on just the main character and her trials as a spider, whereas the anime also shows a bunch of other secondary characters. Also slowly making my way through Re: Zero. I reviewed the series' first season back when it aired a couple of years back, but I kind of... forgot huge chunks of it. So I'm rewatching the first season, hopefully I'll make it to the second one. 

Episode 921:
  • As I keep emphasizing, the colours and the background music really bring the Wano arc out into being so, so much more beautiful than it already is. 
  • I genuinely forgot that Komurasaki had these gigantic super-tall platform shoes. 
  • Actually having the narrator read and recap who Caribou is, and also showing what he did via vignettes, is a clever way to pad out a couple of minutes in this episode. (Also, Caribou! I forgot he existed!)
  • Wait, actually, the flashbacks show images from the cover story. I don't know enough about the anime to know if they ever animated the Caribou cover story? I know they skipped on several of them...
  • Good god, Orochi, your voice is a lot more threatening than I expected. 
  • This episode makes it a bit more explicit that Bingo and the others that Komurasaki swindled are horrible people in and of themselves, forcing the poor to pay money to cover the rent and more explicitly ignoring their family. I remembered the manga keeping it ambiguous until a later chapter that these people are assholes. 
  • It does raise the question, though... Bingoh basically went hard on swindling his clients to pay Komurasaki. Arguably he'd still do it regardless, but still, it does beg the question as to how responsible Komurasaki is to those random people's plights. 

Episode 922:
  • I'm 99.9% sure Zoro and Tonoyasu in the gambling hall is brand-new filler for the anime. It's very much appreciated, because I really did feel like Tonoyasu showing up and being buddies with Zoro was very random in the manga. 
  • Actually showing the Minks helping out the resistance beyond (presumably) just one panel in the manga is definitely filler that, I feel, works pretty well to build up the fact that there are more people than just the Straw Hats and Kin'emon doing stuff in the background, and hammers home the whole attempt to recruit Ashura Doji. 
  • That shot with Zoro doing Mutoryu: Tatsumaki, with him standing as the gambling house collapses in his twister, is so fucking cool. 
  • It's way more obvious that the random CP0 dude who got shot by Orochi instantly recovers in here. 
  • Overall, for what's mostly just our characters doing wacky stuff, it's still a pretty fun episode. 

Episode 923:
  • Oh. Right, Orochi's hair is pink! it's coloured black in the manga, you'd think that they would've shaded it gray. Regardless, it actually suits him very well! 
  • Oh. Right. It's pronounced Diez Drake. I keep forgetting. 
  • The Charlotte children actually get to do stuff and blow up like, random island turrets and stuff. It's not much, but as a huge fan of the background Charlotte children, I'm happy to see that some of the lesser-known ones actually get to do something. (Smoothie does something!)
  • I don't really have much to say to this episode, it's mostly just Zoro in Ebisu town, Orochi's banquet and the introduction of the Tobiroppo.

Episode 924:
  • They get quite a fair bit of mileage out of parodying Jurassic Park and having Page One terrorize random soba shops, too.  That's some neat filler. 
  • That said, though, on the other side of the filler spectrum, they really milked out "Big Mom's ship going through the defense lines" for way longer than they probably should. 
  • King's transformation into his Pteranodon form with a glowing red lava skull in the background is pretty damn boss. King also gets to dodge a gatling gun barrage and generally does a fair bit more than just swoop in and kick Big Mom's ship.  
  • I really don't mind them extending the Big Mom ship arriving into Wano territory, but man, they really don't do anything interesting beyond blow up some turrets. 

Episode 925:
  • So this is one of the big ones -- Page One and Sanji's fight is essentially an off-screen fight in the manga, but they made a whole episode out of it. And... and in the grand scheme of things, it's basically just Sanji beating up on an elite mook. Slight spoilers for the Onigashima raid, but at the moment where I'm at in the manga, Page One hasn't really done a whole ton, so it's not like we manga readers really missed too much. But it's still great filler material for sure, actually expanding and padding out the pacing of this slower part of the story!
  • I didn't watch the Whole Cake arc in the anime, but I have been made aware of the glorious Sailor Moon/Super Sentai/Kamen Rider elaborate henshin sequence for Germa 66. I absolutely love how over-the-top they went for Sanji here as well, with all the glowing colours and the close-ups to his abs and whatnot. Of course he makes several Sentai poses in quick succession. I approve. 
  • One thing that is merely glossed over in the manga, but the anime stretches out gloriously, is Trafalgar Law recognizing Germa 66 costumes and being a fanboy... all the while never breaking stride from his deadpan face and mannerisms. That is easily by far the best part of this episode, and this episode had a Super Sentai fight a giant mohawked dinosaur. 
  • Also useful is Law actually giving us some background information about the parts of Sanji's suits that allow him flight and invisibility and whatnot. It's not essential, but it does add to both Law's fanboyism and the "let's sell the toys by listing all the cool features!" vibe of a Super Sentai/Kamen Rider parody. 
    • At one point Law just goes "damn you, Germa!" halfway through his explanations. That's easily the funniest moment of the episode. 
    • I also love the implication here that Law gets Usopp and Franky to follow him partly because he's fanboying over "yeah, Stealth Black isn't going to lose!"
  • The Sanji/Page One fight isn't anything super spectacular! Page One just dinosaur-roars and Sanji just kicks him a bunch while showing off some Raid Suit abilities like solid-shield capes and stuff... but it's something! It's genuinely entertaining and badass, Law's commentary is fun, and it sure is a lot better content than the vague repetitive animation of Big Mom's children shooting at the borders of the screen. 
    • That is, right until the O-SOBA KIIIIIIICK! Good god, for what's essentially "Sanji plays around and delivers a finishing move that doesn't finish Page One off", that gets such a beautiful and dynamic animation. 
  • Page One really got his stupid Tobiroppo ass juggled by Sanji while he was invisible, though. Kaidou is super-duper badass, but some of his crew members aren't really all that. 
  • I am ashamed to be a Kamen Rider fan and a One Piece fan and never realizing that there is a 'rider kick' reference there with Sanji being a kick-based fighter that dons a Kamen Rider armour. I am absolutely ashamed. 
Episode 926:
  • The Oniwabanshu look so, so much cooler and memorable in colour! I've always sort-of remembered a couple of the designs, but I feel like I'll have an easier time remembering them now. Actually giving them a couple of shots to show 'hey, this is a shuriken child' 'hey, this ninja uses bandage-whips' 'hey, that ninja uses a metal noose' 'hey, this is the lady whose biwa is also a fucking gun' also helps.
  • It's a fake-out, but that is a cool shot of 'Robin' being beheaded. 
  • Chopper and Otama having a mock ninja battle is completely unnecessary but it sure as heck is adorable.
  • Also adorable is Brook just hamming it up becoming a ghost fucking around with those catfish-riding ninjas. 
  • Robin's excuse about how she is 'Ushimitsu Kozo', and the fact that Ushimitsu Kozo is in the capital that night, makes extra sense now that we know who his secret identity is. Granted, Ushimitsu Kozo is a plot point that's kinda-sorta introduced and ignored until the low-key revelation later on, but it's still nice that Oda keeps the continuity pretty tight regardless. 
  • Chopper is about to straight-up shank Big Mom in her sleep. God damn, Chopper. 
  • (Also, it's been a while, but still not a fan of the Big Mom amnesia plotline)
Episode 927:
  • I still really love how Orochi is a gigantic tool, and how no one in his banquet really respects him, but all the gibberish he's spouting is actually the truth! The 'ghosts' of the Akazaya Nine are actually plotting against him!
  • I don't really have much to say in this episode, but the big Orochi/Komurasaki moment is executed pretty damn well. And for a character that's such a tool, that's a pretty neat transformation scene for Orochi.  
Episode 928:
  • This episode felt like the recap segment was extra-long. I get that they wanted to show off Orochi's transformation, maybe? 
  • Kyoshiro laughing for so long... I guess he's happy that Komurasaki can 'die'? I think? Or maybe in anticipation that he gets to cut up Orochi? Presumably, if Nami and Shinobu didn't break the ceiling and cause Orochi to drop Komurasaki, he would've actually intervened?
  • Ghost-Brook rounding that corner and bursting out of the smoke is something the animation team milk the hell out of, and it's glorious. (This isn't the last Robin/Brook team-up in this arc!)
  • Wait, Shinobu uses that katana on her back? I thought she had a crippling fear of sharp objects. Okay, then, she can do more things than just use her Devil Fruit. 
  • Scenes like Grandpa Hyo getting food coupons, or Kid escaping, or Team Chopper convincing Big Mom to go to Udon... a lot of them are unchanged, but those are scenes that fly so fast in the manga that giving them ample time to breathe in the background of these episodes is certainly a decision I approve of. 
Episode 929:
  • Kanjurou! I forgot he's sort of in the background during this stage of the arc. I was wondering the other day what Kanjurou was doing between Oden Castle's destruction and the raid. He's the one that asks Robin aaaaaall about the information she's collected! (Which is all of them!) Which is actually yet another part of 'ah-ha!' considering later developments in the arc. 
  • Brook discovers a random regular Poneglyph in an underground room with dolls. This happens in the manga too! I forgot all about it. 
  • Law, Franky and Usopp give some really neat exposition that keeps getting interrupted by Sanji's laser-focus obsession with 'is there a women's bath in this city'. 
  • Another good exposition here is Kiku and the map, showing the full scale of Wano-kuni while also showing snippets of previous episodes overlaid on top of the locations they take place. 
  • I actually kind of wished we had the foreshadowing with Zoro teaching Momonosuke "sunacchi", because, just like in the manga, it's just apparently something that happened off-screen.
Episode 930:
  • We actually get an extended scene of Raizou stealing the key, including bamboozling a particularly dumb crab Gifter. This one was actually pretty funny. The crab Gifter failing because he can only walk sideways is just a background line in the manga, but it's nice to see it actually made into a short scene. 
  • A scene like Queen's music performance is just a bit of a 'oh, One Piece, you're weird' in the manga. In the anime, though? With actual music and Queen's shoulder-exercise dance and the voice acting? It's elevated into something truly glorious. FUNK!
    • ZOOMA-zooma-zooma-zooma ZOOMA-zooma-zooma-zooma!
  • Queen does really look like Obelix, doesn't he?
  • One of the funniest moments when reading the manga is Babanuki's deadpan report about the problems in the prison and Queen's increasing gweEEEEEH?! reaction to each and every one of them. Voiced, this ends up becoming particularly hilarious. It's even the cliffhanger for this episode!
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I intended for this to go all the way to 940 so I don't have too many of these articles, but you know what? We'll stop here. I guess it's a matter of how long I go. 

Wednesday, 8 September 2021

Movie Review: Ant-Man

Ant-Man (2015)

And our final Phase 2 MCU movie is Ant-Man, which... what else is there to say about this movie other than 'it's really good'? Ant-Man is also a standalone and relatively low-stakes movie, which is definitely a fun breath of air after how sequel-heavy Phase 2 is. I think MCU caught on quickly how to balance sequels versus solo movies? And... and yeah, the plot of Ant-Man is very simple but also extremely charming. It's a heist movie, which really does help to differentiate it to literally every other Marvel Cinematic Universe movie before it, and while it is standalone, it also has a bunch of ties to other aspects of the larger universe -- the Starks, HYDRA, and one of the Avengers makes a fun cameo in this one. It's also just very... it's just very fun and earnest, while also feeling different, which I think is also one of the main sentiments lobbed towards Guardians of the Galaxy, the other big solo movie in this 'phase' of the MCU. 

It's also interesting that this movie revolves around the lesser-known Ant-Man, instead of the far more iconic pair of Hank Pym and Janet van Dyne, two of the original founders of the Avengers in the comics. Hell, I have never even heard of this "Scott Lang" person before this movie at all! But I think MCU realizes that just having pretty bland superhero origin stories without at least a bit of a twist is going to get old really fast, which is why Scott Lang, or Ant-Man II, is actually a legacy hero. It was weird when I saw the trailers for this movie the first time, but it adds a fun layer to this movie that I don't think we'd get if we had just a... well, 'superhero gains power, experiments with it, fights the villain'. Now Scott Lang does go through mostly the same story arc, but he's also pulled into the story of Hank Pym, the first Ant-Man, who manufactures events to get him to become the second Ant-Man. That really adds a whole layer of fun world-building and backstory to Scott that he otherwise wouldn't really have. 

Getting into the plot of the movie, we get some fun cameos because in 1989, old-school SHIELD gets into a fight with Hank Pym over ownership of the shrinking technology revolving around the 'Ant-Man' and Pym particles. We get to see the welcome return of Peggy Carter and Howard Stark, and the actually clever foreshadowing of a great usage of the twist in Captain America: The Winter Soldier, where the dude here that Hank assaults, Carson, is actually a HYDRA agent that we see in the present day scenes. 

It's interesting that we don't see Hank Pym actually operate as the Ant-Man beyond brief flashbacks, but Hank Pym grows into a bitter old man, and we get to see that his protégé Darren Cross and his estranged daughter Hope van Dyne have forced him out of his company. Cross is also on the verge of essentially replicating Hank's shrinking technology with a suit of armour he calls the Yellowjacket, with which he wants to revolutionize warfare itself. 

Flash-forward to present-day (or, well, 2015) and we get introduced to good ol' Scott Lang, our main protagonist. He gets out of prison and while it's clear that he has a lot of friends -- mostly Luis -- we also get to see that Scott Lang, while wanting to make an honest life out of himself, doesn't get a good job. The movie is still fun in doing this, injecting a lot of great moments with the Baskin Robbins boss and Scott's adorably precocious little daughter Cassie, but it's also equally effective in showing just how much Scott is resisting going back into a life of crime, and how much his time in prison is hurting him. Showing the daughter is a cheap but extremely effective way of giving Scott something to fight for (tm), and introducing all the civilian cast around Scott -- his motormouthed best friend Luis, Luis's wacky heist crewmates, Scott's adorable daughter Cassie, Scott's amicable ex-wife Maggie, and Maggie's boyfriend Jim Paxton. They all manage to leave an impression, even if they're admittedly easily demarcated into little groups of characters. 

We also get neat little info-dumps that Scott's crime wasn't really driven for personal gain and more of a way to take down a financially corrupt mega-corporation. Desperate to make some money in order to pay the outstanding child support bills but unable to hold down a job, the movie does explore Scott's desperation pretty well as he goes off to commit the heist. And the movie easily demonstrates at this point why Luis and his friends are so desperate to have Scott on the job -- even pre-powers, he is a natural at this, using funky cryo-guns to break into some old man's house. 

Of course, that old man is Hank Pym, and we later learn that everything here happens as Hank Pym has orchestrated it, and this is basically Scott's 'audition'. Scott finds a weird Kamen Rider motorcycle suit, and after taking it home, Scott tries it on (thankfully he puts the full suit on) and after dicking around with the helmet and the gauntlets, we get the fun CGI sequence as silly Scott Lang shrinks himself to the size of, well, an ant. It's pretty much what you'd expect from a show with shrinking powers! After making a fool out of himself, Scott accidentally enlarges out in public, gets arrested... but then some ants that can move surprisingly well block the camera in the jail cell, do a countdown and proceed to give Scott the suit into his cell. 

Which is where Scott finally meets Hank. And... again, it's pretty typical heist movie stuff. Someone super-smart is being the chessmaster to the main protagonist. Except instead of well-bribed officers or whatever, sci-fi-pheromone controlled ants are utilized here. Again, just like what Guardians of the Galaxy did, almost everything from the comics is adapted and taken seriously while jokes are made alongside it instead of about it. This, I feel, is really the epitome of the reasons why Marvel studios manages to make movie adaptations that feel so earnest about its source material while also not insulting the audience's intelligence. 

Again, I do like how Hank Pym's role is still pretty major here. He's ultimately well-meaning, but there's definitely a huge, huge manipulative streak in everything he does. And yet behind all of that he's also driven by a protective sense towards his family and legacy. It's such a nice summation of the sometimes-not-so-nice (to put it mildly) comic book character that he's based off. The main heist team is rounded off by Hank's daughter Hope, who's aiding Hank in taking Darren down but is still pretty pissed off at her dad. For one, Hank pointedly refuses to let Hope become the new Ant-Man (or Ant-Woman) because he's a protective father... which is a bit of an eye-roll in terms of the audience getting another superhero (and a female one, at that) but also makes absolute sense in terms of these characters in the movie.

Hope's hostility towards Hank also stems from her blaming Hank for letting her mother Janet die... although we later learn in this whole training montage that Janet actually died because she went 'subatomic', shrinking even further than atoms, while disabling a nuclear missile. And yes, there's a training montage that's a lot more fun than it has any right to be, because it features not only Scott Lang learning how to shrink, but also to control ants. Yes, I love that. I also love that we get to see multiple various species of ants, and while they are rendered a bit more cuter than what their real-life counterparts are, I cannot believe that a major movie features the fire ants' ability to create rafts with their bodies to transverse the amazon river, or a bullet ant's super-painful sting (it's the most powerful sting on a pain scale!) are major plot points in a Hollywood movie. 

Also, during the montage, Janet ends up changing her mind about Scott after seeing just how hard he's working, and we also get to see some obvious parallels that Scott and Hank are essentially bonding because they're both fathers. We also get the actually sensible and cheeky excuse that Hank Pym refuses to ask the Avengers for help because he distrusts Tony Stark.

Also, because this is a superhero movie, we need to break things up with an action scene. Fortunately, this is actually a very interesting one -- Scott is supposed to steal some piece of technology from the Avengers Compound... which could have been just a simple little cameo of the Avengers base we saw in Age of Ultron. But no! Ant-Man actually gets stopped by the Falcon, and the two of them even get into a fight! It's a wholly unexpected but extremely welcome cameo by good ol' Sam Wilson, and in addition to the funny sequences (Falcon telling whoever's on line with him to 'not tell Cap', Scott introducing himself as 'Ant-Man') we get a pretty interesting example of just how Ant-Man can fight with another superhero. The fight essentially ends up in a draw, but seeing Ant-Man fight with someone larger, or sabotage the machinery of a regular-sized combatant... none of them are shooting to kill, of course, and Ant-Man gets to be the victor because he escapes, but it's such a cool way to incorporate other parts of the larger universe without making them a huge (and distracting) part of the standalone movie. 

The heist itself goes on with the help of Luis's crew and the many, many ants, and... I'm not going to describe everything, but it's basically a superhero-themed heist movie. Basically every random minor aspect that we saw Luis's friends (who are hilarious) and the various ant species and Pym gimmicks gets brought into play as Scott and the Pyms manage to plant explosives all around the building and sabotage the building's servers. It's pretty fun and fast-paced, but things go wrong when they reach the Yellowjacket armour. Ant-Man gets trapped by a laser grid, while Hank and Hope get caught by Darren Cross. 

At which point... yeah, let's talk about Darren a bit. I always had the feeling that he was a bit more interesting than I remember him, and the actor definitely does a great job playing him. There's definitely a sense of parallels being drawn between him and his mentor Hank, and some slight showcases of instability when he uses the Pym particles to shrink someone who disagrees with him earlier in the movie and flush him down a toilet (which, holy crap, market that instead of the armour!) but ultimately he kind of gets reduced to just a pretty generic villain. The Yellowjacket armour is probably one of the hands-down coolest-looking designs I've ever seen in a MCU movie full stop, though. 

Things get into full action-movie territory at this point -- the rest of the supporting cast manage to take out all the prospective buyers (including the HYDRA guy from the prologue); Hank Pym uses the tank keychain he's been holding for literally the entire movie and turns it into a full-sized tank to escape, and then after the evacuation, they detonate a shrinking bomb that wipes out the Cross Industries building. Luis and his crew get into some hilarious hijinks around this point, too -- I don't really talk about them because most of what they do is just background fluff, but man, I cannot understate how much they add into this movie with their comedy. 

Speaking of comedy, the final battle between Ant-Man and Yellowjacket is nothing short of brilliant. It is a climactic final battle (unlike the Guardians' fight against Ronan two movies ago) that spans the entire third act, and it is deadly. Yellowjacket shoots lasers that blow walls up and shit! But then we get epic CGI superhero fights... and then we zoom out and we get hilarious visual gags like little bug-sized Yellowjacket being tossed into a fly zapper, or the giant Thomas the Train toy bearing down on Yellowjacket with epic music, only for the movie to zoom out and just showing... well, a toy train toppling over. It's glorious.

Anyway, the fight leads to a standoff between Yellowjacket holding Scott's daughter Cassie (and Scott's wife's fiancé Paxton) hostage, leading to, well, the aforementioned 'forbidden ability' of Scott going subatomic to shrink and break Yellowjacket's suit. Yellowjacket dies as he shrinks uncontrollably, while Scott is transported into the sci-fi realm called the Quantum Realm, a trippy subatomic realm where he should, in theory, shrink for all eternity... until he hears Cassie's voice and he manages to come into consciousness and reverse the shrinking and returns to his regular size.

Yeah, it's cheesy, but... I don't know. The movie does telegraph this plot twist pretty well, and after all Scott Lang has been through, I feel like it's pretty great for the movie to cut him a break at this point. He gets his happy ending, being accepted as a responsible part of the family with Maggie, Cassie and Paxton... and I, for one, am actually happy to see the subversion of the 'evil new boyfriend' trope, because Scott and Maggie doesn't actually make up romantically, but they still both function as Cassie's parents. Likewise, Paxton isn't an evil step-parent at all -- hell, he was perfectly willing to toss himself into combat against Yellowjacket to protect Cassie! And I do like that at the end of it all, Scott manages to become friends with Cassie and Paxton.

He also gets into a romance with Hope, and... okay, Hope kind of really has to wait until the next movie before really becoming a character in her own right, and most of her character interactions in this movie is between her and Hank, so I don't really care all that much. We do get some hints that Hank's going to hunt down Janet in the Quantum Realm; plus we get to see the Wasp suit in the mid-credits scene. The actual movie itself ends with Luis, in his signature "I talk very quickly as I talk about this guy who knows about that guy who knows about that other guy, while the actors visualizing my story match my fast voice"... which includes Stan Lee and the Falcon, and they basically recruit Ant-Man into the Avengers. Sort of. 

...and that's it for Ant-Man. A bit of on the shorter side, but Ant-Man really is a lot lighter compared to the other movies, and I feel that it's exactly the sort of break between heavier entries. The next freaking movie is Civil War! The movie itself is simple enough, but also offers enough twists and turns in terms of the setting and characters involved that it still feels like a breath of fresh air. Definitely a huge winner in my books. 

And that's it for Phase 2 of the MCU! I already have reviews for all the Phase 3 movies when they came out in the theaters, but they are a bit... well, basically before Infinity War, I feel like the reviews are not up to snuff and just ramble on and on? So I do plan to do Phase 3 in two batches, with maybe Thor: Ragnarok as the dividing line between the two eras of Phase 3. And then we'll do the Phase 4 movies! We'll see how things go. (Shang-Chi, by the way, is an awesome movie. Go watch it!) 

Marvel Easter Eggs Corner:
  • Post-Credits Scene: The mid-credits scene is Hank Pym showing Hope a modernized version of her mother's Wasp suit. The post-credits scene is a clip from Captain America: Civil War, where Falcon discusses that he 'knows a guy' that can help him and Captain America.
  • Stan the Man: Stan is one of the people in the Luis lip-synch scene at the end of the film. 
  • Future Movies Foreshadowing: A lot of mention is made about the 'quantum realm' and Janet being lost there, which are all plot points for Ant-Man and the Wasp. Whether it's intentional or not, one of the people in Luis's story at the ends mentions someone who 'jumps, swings, climbs up walls', which is definitely a reference to Spider-Man. Whether it's intentional or not to foreshadow Civil War, though, is debatable. And, of course, the final post-credits scene is just straight-up a scene from the upcoming Civil War movie. 
  • Past Movie Continuity: Peggy Carter and Howard Stark are established to carry on Steve Rogers' legacy and found SHIELD in The Avengers and Captain America: the Winter Soldier. The Triskelion from Winter Soldier is seen half-completed in 1989. Hydra is established to have infiltrated SHIELD and other organizations in Winter Soldier. Hank name-drops the Iron Man suit and Stark industries multiple times, and his bitterness over Stark Industries leads him to not wanting anything to do with SHIELD or Stark. The events that took place in Sokovia in Age of Ultron can be seen in a newspaper headline. The new Avengers compound, and Falcon's status as one of the current Avengers, is established in Avengers: Age of Ultron -- Thor's Bifrost bridge at the end of that movie is even briefly glimpsed, although some grass has grown over it. Ads for Pingo Doce, the Brazilian soda company in Incredible Hulk, can be seen in the background. One of the prisoners in the prologue has a tattoo of the Ten Rings from Iron Man.
  • Movie Superhero Codenames: In an interesting manner, Hank Pym is most assuredly referred to as 'Ant-Man' in the past, and he tells Scott to be the 'new Ant-Man'. But throughout the movie Scott is mostly called by his civilian name, although he does refer to himself as Ant-Man several times as a joke -- a homage to how many people IRL thought the name 'Ant-Man' was too hard to take seriously. 'Yellowjacket' is only ever used to refer to the armour, and Darren Cross never calls himself that.
  • Favourite Action Scene: Thomas the Train. You know you love it. 
  • Funniest Line: Ant-Man upon meeting Falcon, about to do a superhero fight: "Hi, I'm Scott."
  • Scott stays in the Milgrom hotel, named after Marvel comics artist Al Milgrom. 
  • Darren calls Hank Pym's career as Ant-Man as "Tales to Astonish", a reference to the anthology comic book series where Ant-Man debuted in the comics. 
  • Ant-thony is "Ant #247". 247 is a combination of Marvel Premier #47 (Scott Lang's debut) and Tales to Astonish #27 (Hank Pym's debut).