Friday, 28 March 2025

Daredevil: Born Again S01E03 Review: Character Witness

Daredevil: Born Again, Season 1, Episode 3: The Hollow of His Hand


We get the Trial of Hector Ayala in this episode, which takes up almost the entirety of the runtime. Which slows down the show a bit after the more fast-paced two-part opener. I'm not someone who really understands legal proceedings all that well, and 'The Hollow of His Hand' tries to give us some excitement with several twists regarding the witness, Nicky Torres, and whether Matt's team could get him to court without police interference... and then another twist as Nicky pussies out at the last minute and claims to have never seen Hector before.

All the actors showcase the emotions quite well -- Hector's quiet acceptance (that frog speech!) which burns into a very determined speech about how important the mask is for him; Matt's desperation and frustration as all of his attempts to win a case he knows is right gets blocked; the side-characters in the trial are also well-done as well. Hector's speeches about vigilantism and what it means to him also gets Matt to slowly reflect on his own superhero alter-ego who he did give up. It's just that, well, at the end of the day it is just a long trial episode. Ultimately, the climax of the episode hinges on Matt (rather unethically -- I find the judge's reaction at the end of that display to be understandable) revealing that Hector Ayala is actually the superhero White Tiger.

This does, admittedly, lead to a huge outpouring of character witnesses, and making a lot of the police that White Tiger had saved over the years suddenly decide to -- whether they know the truth of Hector's framing or not -- support Hector on the stand. In this more cynical corner of the Marvel universe, it is quite nice to see just how much good White Tiger has done, and how much people he has inspired. The jury finds Hector not guilty, which is all well and good. Celebrations for everyone! It seems like the series is building up to Mayor Fisk being pissed at this result, and trying to do some political maneuvering... 

Only for the episode to end with Hector Ayala immediately dressing up as White Tiger, rushing into the streets to fight crime... only to be shot dead in a shocking final scene by a shadowy figure that appears to be the Punisher. 

(Of course, it's not -- I don't think the writers will get away with that -- we've seen enough of the dirty cops tattooing Punisher's skull and idolizing ol' Frankie, so it's probably just a copycat... but it was a shocking enough cliffhanger)

It does lead me to wonder if Matt's more reckless attempts at his defense of Hector is meant to deconstruct his victory. I mean, the episode does display just how hopeless it would be thanks to the overpoweringly intimidating factor of dirty cops willing to protect their own, but Matt seems to be taking this case extra-personally with how much of a risk he's taking -- outing White Tiger without consulting with Hector, making an enemy of the big lawyer firms, and even though the show doesn't acknowledge it that much, stepping on Mayor Fisk's anti-vigilantism policies. With Hector dead at the end of this episode, I am excited to see how this will affect Matt's not-so-stable mental state.

The Fisk stuff in this episode is a lot more subdued. He spends some time with Vanessa at therapy, which last episode hinted at, but being, y'know, criminal Kingpins and everything, it's very obvious that the root cause of some of their agreements can't be actually revealed to Dr. Glenn. Vanessa having an affair while Wilson was gone, and her also being quite frustrated at her (and later on, their) inability to handle their former criminal empire thanks to keeping up appearances, also crop up a fair bit. We see a bit of a side-plot of some of the gangsters kept in check by Kingpin's presence break apart, since none of Kingpin's people command the same respect as the Kingpin or even Vanessa. This leads to Vanessa asking Wilson a question I had in the season premiere -- what's Wilson trying to get out of all this? Wilson gives a very PR-safe "for change, for the big picture" answer which doesn't satisfy Vanessa... or me, either.

There is, I suppose, an attempt to mirror Matt Murdock as he tries to move away from the Daredevil vigilante life, but realizes that the system is so inherently broken without someone like him in place. Except for Kingpin, it's organized crime. I feel like this melancholy would've worked better if episode 2 didn't give us a scene of Wilson threatening the police cop, if that's the direction we're going? I'm not 100% sure yet, because Wilson is a bit enigmatic about his ultimate motivations. Regardless, D'Onofrio and Zurer's performances are both strong enough to not make me question their characters' decisions too much. 

Anyway, a nice, mostly-standalone episode. I don't have much to say other than I enjoyed it. Looking forward to more!

Marvel Easter Eggs Corner:
  • Hector mentions his niece during the trial -- Ava Ayala in the comics would take over the role of White Tiger in the comics after Hector's death.
  • One of the police officers who is name-dropped by Matt is 'Officer Morales', likely a sneaky nod to the father of Miles Morales (Spider-Man II), Jefferson Morales, who is a New York police officer. 
  • This comic's conclusion is a twist on what happens to Hector in the comics. In the comics, Hector's trial ends with him breaking down mentally and attempting to run out of the courthouse before being gunned down by the police. Here, Matt wins Hector's case... only for Hector to get brutally gunned down anyway shortly afterwards.

Thursday, 27 March 2025

Reviewing Monsters: Elden Ring, Part 11

 
I'm at the point in Elden Ring where I do kind of have to decide between going to the Volcano Manor and Caelid, since both are, I think, possible ways to go after clearing Liurnia. And... what I've been doing is mostly just running around and clearing the lesser dungeons, gathering items and farming for runes to slowly build up my stats.

I've also ignored a lot of the side-quests going on, and I've been ever-so-slowly going through the rather long Ranni storyline properly. As the monsters in this review show, I've reached the part where I have to explore the Siofra River. Also did some of the stories involving "D", Rogier, Millicent and Sage Gowry. It is kind of interesting that I've explored a bunch of areas related to her quests (and even cleared some of them!) but the game does work on rather traditional 'event triggers' for the quest to continue. I'm not sure how much I like this, to be honest, because on one hand I like the immersion to the world and the lack of spoonfeeding me the quest with quest markers or whatnot, but I also wish that there was a more efficient way to go through these storylines. 

So basically, I went through a guide and checked off everything so I can do both the Radahn Festival and enter the Atlus Plateau in peace. Major things that I did here was to progress the Ranni storyline (and accidentally clearing all of Siofra River in the process, which I thought was necessary for said quest), and finish the whole Albinauric Village mini-storyline with Nepheli Loux,

Anyway, I think I did most of what I have to do before I start off the Radahn storyline in Caelid, which is finally me going off the dungeon-clearing and back to the main storyline.

In other news, I'm out of images for the starter classes. And with at least four more large areas, I guess maps won't last that long, so I'll just have to look for prominent non-boss NPCs to put as the header pictures. 
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Glintstone Dragon Smarag
I've already met and slain the dragon in Limgrave, Agheel, but there have been many other dragon encounters -- a bunch in Caelid, and this big guy in Liurnia that guards a key that leads into the main story dungeon. It's just that I do have a policy of only reviewing a monster after I have properly beaten them, meaning that I haven't talked about Smarag before.

And... just like many other things in Liurnia, Smarag seems to have merged with the magical glintstone. It's a bit hard to tell from afar, but his body is covered with pockmarks of glintstone. Apparently, Smarag became encrusted with glintstone after eating a lot of the local glintstone sorcerers, causing the magical stones to infuse his body. Just like many of the other enemies in Raya Lucaria, this also makes Smarag inordinately resistant to glintstone magic, which is a bad thing for my astrologer build! Of course, being a dragon, this also means that Smarag launches a bunch of glintstone magic as his 'breath weapon'. 

Glintstone Dragon Adula
Another Glintstone Dragon hangs around in Liurnia, in the 'Three Sisters' area where the witch (and totally one of the demigods; she just pretends as if we don't know) Ranni makes her base. Her towers are guarded by this massive dragon Adula, who is more or less the same thing as Smarag but with more health. But the biggest problem here is that the terrain! Smarag (and Agheel before him) are fought in huge swamps with plenty of places to run. Adula's fought with a lot of ruins, meaning that you're more likely to get caught up in some kind of ruin as you try to escape his blue-fire breaths. 

Of course, you're most likely going to be allies with Ranni, and Adula's essentially the equivalent of a particularly aggressive guard pitbull. Once you beat its health down to around 40%, Adula just flies off, probably so the game doesn't have to record lines of you explaining to your prospective new boss how you just murdered her security guard for runes. 

Also, Adula completes a nice little trifecta -- remember how when we fought Rennala, Queen of the Full Moon back in Raya Lucaria, and Ranni takes over the second phase with an illusion of Rennala at her prime? Rennala-Ranni uses several spirit summons that correspond to her minions -- a Bloodhound Knight as well as some wolves (Blaidd the Wolf), a Troll Knight (Iji), and a dragon (Adula). 

Dragonkin Soldier
The Ranni storyline brought me back to the underground lands of Siofra River, with all the creepy Claymen and ghostly Ancestral Followers that we've reviewed forever ago. And tucked away in a lake at the edge of these locations is this giant Dragonkin Soldier. Over my time of playing video games, I've seen a lot of different "dragon-men" enemies, but the Dragonkin Soldier here just feels... wretched. From the moment that he decides to fight you and tries to get up from the prone position that he's in, the Dragonkin Soldier looks like he's barely holding himself together. Is he even alive? And indeed, throughout most of the fight, he seems like he's having trouble standing and has to crawl around. Due to his size and insane reach, the Dragonkin Soldier hits hard and can almost one-shot my character... but there are also parts of his attack string where he's just flailing or struggling to get up, allowing me to get some hits in. 

The design of this guy is just pretty sorry-looking. This guy is technically a bipedal dragon-man, but that would give the sheer nastiness of this thing some disservice. The arms are way too long, the dragon face looks mutated and is a weird fusion of a draconic head-shape and an almost human set of teeth, and it's wearing armour that is in the process of falling apart. Look close enough and you see that its torso and abdomen seem to be gouged out like the trolls. It seems that this is someone who tried to merge himself with a dragon, or transform into a dragon, but ended up getting trapped in this strange in-between Frankensteined form. 

The halberd that the Dragonkin Soldier drops states "alas, the Dragonkin Soldiers never attained immortality and perished as decrepit, pale imitations of their skyborn kin." So presumably, this is an undead? It's not classified as one of the 'Those Who Live In Death'. Other item descriptions seem to note that the Dragonkin Soldiers were the result of some kind of magical experimentation to gain the power of dragons, but are they transformed humans or a wholly synthetic race like the Albinaurics? Whatever they are, they're now mindless and in pain, and utilized only as siege weapons. 


Ancestor Spirit
Okay, so this is the god that the horn-cosplaying Ancestral Followers worship! The way to unlock this boss fight is quite interesting, where you have to run around and light up some braziers next to obelisks that the Ancestral Followers are worshipping, at which point a deer corpse in a temple starts to glow. Upon touching it, you're transported into this ethereal, creepy cave where the Ancestor Spirit slowly walks up to you before engaging you in a battle. 

The presentation is pretty amazing, but the design of the Ancestor Spirit is also quite badass, too. It's easy to handwave it as just a zombie deer. Or, well, a giant, glowing zombie deer. But it just looks so creepy, so emaciated. Look at all those strips of fur (?) hanging off his body like moss. Look at how messy the antlers are and how they're gnarled and ever-growing, as if they just can't stop branching. Maybe some more connections to trees that has been around all this game. And when the Ancestor Spirit opens its mouth... yeah, that isn't the mouth of a deer, but it's not so grotesque that it doesn't look like it doesn't fit in an organic creature. 

Deer are already creepy animals, but having a decrepit, creepy one -- particularly with all the mystery revolving around the Ancestral Followers and their worship of it -- is a pretty great setup for a boss. 

Oh, and he can also jump around and make little air platforms in the sky. I mean, it's a weird spirit deer, I'm not surprised that it can do that. What makes it interesting is that the animation feels super familiar, and that's because our own horse -- our horned horse -- Torrent does the same thing. So while I haven't done my in-depth research, I won't be surprised if there's some connection between the two.


Magma Wyrm
Since we're already talking about dragons, let's acknowledge another mutated pseudo-dragon, the Magma Wyrm! This guy is the boss of the Gael Tunnel dungeon. Item descriptions note that Magma Wyrms are the result of people who partook in 'Dragon Communion' a bit too much. What's Dragon Communion? Your character can do it too, it's taking the Dragon Hearts you loot from all the dragons you kill and sacrificing them to gain access to specific dragon spells. 

Apparently, if you do it too much, you get transformed into a dragon... but not just any dragon. You get transformed into a Wyrm, and the game's taking a nice nod of having 'wyrm' be also a word for 'worm', because these Magma Wyrms are pale imitations of the true dragons we've been fighting, with their tattered wings and their very gecko or salamander-like bodies that are pressed close to the ground. Their a lot more cohesive than the Dragonkin Soldiers, though, other than the tattered wings and the fact that one of their arms ends in a giant, mutated organic sword that it can light on fire. The animation for this thing is so wretched and it really does look like it's writhing and struggling in pain. 

I really like the look of this and the shape of the face here. I like varieties of dragons, I like 'dragonspawns' and 'lesser dragons' but I've always felt that some games go a bit too far in just introducing a ton of variations without really justifying them. Having different origins for them is a nice little touch. 


Crystal Snail
Found in some caves in Liurnia are even more wildlife mutated by the glintstones in the area, and one of them are... Crystal Snails? Calling them just 'crystal snails' seem to do the sheer bizarreness of this creature a disservice, though. Just look at this thing. The shell is replaced with chunks of crystal, sure. That's not too special. What's weird is that the body of the snails have extended and elongated into a snake-like shape, though still ending with a pair of goofy snail eyestalks. They normally curl up in their happy crystal snail shells, but they can shoot out cones of crystals or launch glintstone pebbles at you, or, failing that, just leap towards you. Oh, and their mouth yawn open very creepily.

It's... it's just really weird. I love these guys. After the glut of random humans we've reviewed in the previous episode of Elden Ring monsters, I love that we're back to talking about really weird crystal-breathing snail-snake monsters. 

First-Generation Albinauric
Nestled on the side of Liurnia of the Lakes is the 'Village of the Albinaurics', filled with these old, decrepit men. Or, rather, men-looking things. When our Tarnished arrives into the Village of the Albinaurics, the entire population has been decimated, with bodies piled up or crucified for the seeming crime of not being humans. And if the name sounds familiar, that's because we've met the Second-Generation Albinaurics before, who look like... frog people? Turtle people? They certainly didn't look anything like these guys, who just look like sad old men with slightly longer arms and shorter legs. The apparently deformed legs really didn't register to me throughout my gameplay, and I just thought that they crawl on the ground because it looked creepier. And it is!

Almost all of the Albinaurics we see in the Village have been driven mad and feral by the tragedy done to them, save for two that end up realizing that we're not affiliated with the Tarnished that killed them, and offer their aid to us. These Albinaurics are mostly harmless and you can really just ride past them, though some are at least smart enough to cast sorceries. Oh, and they bleed silver blood, just like their Second-Generation cousins. Item descriptions and dialogue from the sentient NPCs note that Albinaurics were artificially created by human hands, but because of this reason, many humans view them as lesser since they're outside of the 'Golden Order'. Hence, the tragic massacre. 

Without the existence of the Second-Generation Albinaurics I probably wouldn't find them particularly interesting, just a group of old-people looking guys that are apparently artificially created, and had the misfortune of being caught in the crossfire of more powerful soldiers. But the connection between the First and Second Generation Albinaurics, and how or why the second generation is created, is quite interesting. 

Depraved Perfumer
One of the humans that assaulted the Albinauric Village is the Depraved Perfumer, and... uh... he sure uses perfumes to fight, I guess? Actually, considering how many enemies in this game like the harpies and Miranda Flowers use poisonous gas-clouds to fight, I probably shouldn't be surprised. They also apparently partake in the insanity-causing perfumes and use it to alter their body and mind. So they're perfume-shooting drug addict racists. Neat. It's not something you see in every setting, and in later areas they'll apparently be more plentiful... but I don't have much to say beyond that. 

Omenkiller
The boss in the Village of the Albinaurics is an Omenkiller, who is an armoured almost samurai-looking person wearing a creepy mask shaped like a demon. Oh, and he wields massive swords that terminate in horns... and item descriptions note that these horns are amputated and harvested from their previous kills. As we noted before, Omens are large, ogre-like children who were born with horns and face a lot of persecution under the belief that they're also 'outside the Golden Order', so I assume that these Omenkillers are religious fanatics that go around killing anything they view to be outside of the Golden Order, whether they be Omens, Albinaurics, or anything else. 

Ensha of the Royal Remains
While fighting and killing the Omenkiller and his minions seem to bring the Albinauric Village tragedy to a close, a conversation with the surviving Albinaurics mention that someone else seem to be behind it. A Tarnished seemingly going around looking for a medallion plot device. There are no real clues to this until you teleport back to the Roundtable Hold... and suddenly the music is ominous and you're ambushed by Ensha here. Ensha is a silent NPC that has been hanging around leaning against the walls of the Roundtable Hold for a while, seemingly just there for decoration or flavour since he's the only Tarnished who doesn't have a quest or offer some kind of shop or upgrade material. 

Ensha himself is extremely silent, though, so we don't really learn much about what his motivations are... and it's ambiguous on whether he is or isn't doing all of this under the orders of the grouchy boss of the Roundtable hold, Sir Gideon Ofnir. He has a funky armour set that is skeleton-themed, and the descriptions of his set talk about some ancient king. I find his weapon -- a pair of daggers made out of human arm bones -- to be funny. Because the way Ensha holds them, he's essentially shaking hands with a pair of disembodied skeletons and uses the pokey lhumerus bones as the tip of the dagger. It's ridiculous. I don't have a whole ton to say, I'd probably feel a bit more of an 'oh shit' moment if Ensha has been an actual proper presence as an NPC in the game. Being ambushed in the supposedly safe base is a cool 'wtf' moment, but I don't really feel all that much beyond that about Ensha here. 
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...and that's all the monsters and enemies I want to talk about now! Next up, we're going to set off the Radahn Festival and finally move forwards with the story!

Tuesday, 25 March 2025

Movie Review: Kraven the Hunter

Kraven the Hunter (2024)


And with Kraven the Hunter, the so-called 'Sony Extended Spider-Man Universe' or whatever, which are the string of superhero movies made about Spider-Man's supporting cast without Spider-Man, comes to a close. None of the movies in this series have been good with the exception of the first two Venom movies, and a combination of a lack of interest and the general poor quality of these movies haven't really been kind to them. Morbius was a laughingstock, and I legitimately forgot Madame Web was supposed to be part of the SSU until I double-checked Wikipedia.

But Kraven the Hunter is... an interesting one. With the character getting a significant amount of boost in the mainstream superhero fandom thanks to a stellar performance in the Insomniac video game Spider-Man 2, Kraven might just convince me that he might have the same star power as Venom. The origin story for Kraven sounds appealing enough as a standalone action movie flick, Aaron-Taylor Johnson seem to be a nice fit for the role of the character, and if nothing else, the movie should promise to be a simple action romp with some characterization instead of the ambitious but nonsensical plot that Madame Web was. Hell, like Venom, Kraven was even allowed to bring a bunch of side-characters from the comics that people might be familiar with. Rhino! Chameleon! These are far more interesting than the movie-original villain in Morbius, or the adapted-in-name-only Ezekiel Sims (who isn't even that popular of a character). 

But the movie was just... really boring. There was some nice semblance of intrigue and character study early on, when the dynamics of the Kravinoff family was being established. The patriarch of the family, Nikolai Kravinoff (played by Russel Crowe!), is a drug-dealer who is extremely heavy on making his kids super-strong and super-tough and super-manly, even if it'll traumatize them. Sergei/Kraven eventually leaves his family despite being the brother who would please his father more, leaving his less-traditionally-masculine brother Dmitri at the mercy of their abusive father.

This is a very interesting setup... but not much is made out of that when we go back to the present day. There are some attempts to pay off the setup given to them, but other than Nikolai going "you're a disappointment of a son" several times, most of this just revolves around Dmitri being caught and held hostage by the villain throughout the movie. Sergei's confrontation with Nikolai -- who, shockers, is revealed to have orchestrated a huge chunk of the movie's plot -- is all right, but the huge betrayal moment of Dmitri as he reveals that he's turned evil and became the Chameleon because... uh... inferiority complex? He thinks Sergei is the same as his dad? It feels really abrupt and unearned.

Aaron Taylor-Johnson is quite fun in the lead role, even if Kraven the Hunter falls into yet another trap of 'superhero movie ashamed to be a superhero movie' by not letting Kraven dress up with his furry lion jacket until the end of the movie. But one crucial thing that makes a character like Kraven different from Venom or Morbius? Kraven was never a good guy in the comics. He had a code of honour, maybe, but for much of his tenure he was a villain -- and the main reason why he's remembered so fondly was due to the 'Last Hunt' story arc. Here, Kraven is reimagined as... something. He jumps from being an eco-vigilante that hunts poachers, but then also becomes a ripoff Green Arrow because he's hunting people from a list in a book, and he's also an assassin and a boogeyman in the underworld? And he alternates between being a badass 'I kill because it's the solution' anti-hero and spouting traditional heroic 'you're evil, I can't believe you're doing this' lines. Again, on paper, retooling Kraven the Hunter into an anti-hero -- as insipid as it is, considering Sony's track record -- isn't the worst thing out there. But it isn't even done well. 

The origin story for Kraven is also hilariously ridiculous. There were memes that he was 'bitten by a radioactive lion' in derisive mockery... but that's actually not too far off from the truth. Young Sergei was mauled by a lion during a hunting trip led by his father, and the child of a local fortune teller feeds him some ambiguous never-explained-in-the-movie magic potion. Oh, and the lion's blood also falls into Sergei's open wounds. This combination of factors, plus a bunch of ridiculous projections of runes and totems, gives Sergei... very ambiguous powers. He has the far-sight of a hawk and can land on his feet like a cat, and... I guess all the typical enhanced agility and strength that any action movie protagonist have? It's really weird, and it would be something if all the mystery about the magical potion had any kind of significance in the final act, but other than the potion reappearing to be reused again, it's just brushed aside. 

Speaking of which, Calypso is also kind of a character which the movie is really confused about. She's introduced as a rather tiresome trope -- the descendant of a local mystic, who grew up to be a lawyer... and... that's it, I guess? She helps Kraven find some information, and gets to hint that she might be hiding something interesting when she shows that she's good with a crossbow, but she's just there to fill in a supporting character quota and it really does feel like Calypso is juts there for Sergei to call just so that she can point him in a direction that advances the plot. 

Our main villain is Rhino, who... I actually like this interpretation of. He's a skinny, nebbish dork who was insulted by Nikolai during the fateful safari hunt in the past. Come the present day, he's grown to be a crime lord himself, who thanks to the powers of genetic engineering, can harden his skin into that of a rhinoceros and later assumes a mutated-rhino-man form in the final battle. It's basically like Bane from Batman, which on paper, again, is an okay pragmatic adaptation. 

The problem is, Rhino himself is just kind of there. His motivation is to stop the Hunter that's been taking out other criminals, and later on he just gets a happy hate-boner because Kraven turns out to be the son of the mafia boss that he really dislikes. Not the most interesting storyline, and I really do wonder if the movie could've benefited by having Rhino have a much closer enmity against the Kravnioffs, or even tie into the whole 'animal lover' plot by having his animal experimentations actually harm real rhinos, which this incarnation of Kraven should theoretically care more about. Hell, in an alternate universe where they keep Kraven as just a badass hunter instead of an ambiguous mystical superhuman, this would've been a nice 'raw talents of man versus genetically-enhanced abomination' or something. But instead we just get a very flat villain. 

We also have another antagonist -- the Foreigner -- who can... hypnotize people and seem to move quickly. He shows up as an independent antagonist who's hunting Kraven for his own reasons -- avenging his dead master (which we never see!) -- before he ends up joining Rhino's organization. He really adds nothing to the story other than the brief hallucination where Kraven is attacked by spiders (oh god, he fights Spider-Man, which he'll never do because Sony won't commit!) and I really don't understand why he couldn't just be a minion of Rhino from the get-go, or be connected to Kraven's first victims, or to Calypso, or something. 

It really is a shame because there was, with a lot of editing, a good story somewhere here. With better antagonists and a tightening of the 'mafia family' and 'hitman' themes, this could've been a more John Wick-esque movie. The action scenes are all right, too, for what little we had... nothing too spectacular, though, especially for a movie released in 2024 instead of 2004. Taylor-Johnson and Crowe are pretty great in their roles, but that storyline wasn't given really a good conclusion. It really is a shame -- this movie already needed help even before all of the real-world factors that it had against it as the final nail in the coffin for the SSU... but with all of it, it seems that poor Kraven is relegated to just this one hunt. 

Marvel Easter Eggs Corner:
  • Kraven the Hunter/Sergei Kravinoff in the comics is introduced as an ambitious big-game hunter who seeks to defeat Spider-Man as his 'ultimate prey'. He operates through his own code of honour. His most notable storyline is Kraven's Last Hunt, where Kraven, who fears his age and mortality, finally defeats and buries Spider-Man in an induced coma while he goes off to hunt down a villain that Spider-Man can't defeat on his own. The story is often listed as one of the best storylines to focus on a previously one-note villain, giving him more depth than expected.
  • Chameleon/Dmitri Smerdyakov, is the half-brother of Sergei. Eventually emigrating to the United States from Russia, Dmitri utilized his talents of impersonation to initially take the identity of Spider-Man. After his defeat, the Chameleon would menace Spider-Man and other heroes over the years.
  • Calypso is a supporting character in Kraven stories, being a voodoo priestess and a confidant of Kraven that had magical capabilities. She was antagonistic of Spider-Man, and tends to use her powers to manipulate or bewitch other villains to fight for her. 
  • Rhino/Aleksei Systevich is a member of the Russian mafia who underwent a lot of experimental treatment that increased his strength and endurance. He would later be equipped with a powerful suit, and as the monstrous Rhino, would menace Spider-Man and the Hulk.
  • The Foreigner is a minor Spider-Man villain who had extremely skilled physical capabilities. He's an assassin who was drawn in during a multi-faction gang war in New York, eventually working for and marrying Silver Sable.  
  • The doctor that gave Rhino and Chameleon powers is Dr. Miles Warren, better known in comic-book circles as the supervillain Jackal.
  • The number of the prisoner Kraven murders is #0864, a reference to the date of the first comic book that Kraven debuted in -- The Amazing Spider-Man #15, released on August '64.

Sunday, 23 March 2025

One Piece 1143 Review: One Shot

One Piece, Chapter 1143: God's Knights


Right, a bit late on this one, but it is kind of a 'in-between' chapter, too. Which is nice; One Piece has been jumping around a bit too much from one big revelation to the next that it's nice to have some breathing room. 

We start off with Saul's group trying to stop the sleepwalking children. Saul identifies the weird white cloth from Gunko's powers, and as Saul tries to physically stop the children, an invisible aura of thorns pierces his hands. This was foreshadowed in the previous chapter when the gym teacher was heavily injured and gave an ominous warning to not touch the children. I guess this is why!

Anje tries to call the big party for backup, but all the giants and most of the Straw Hats are still quite drunk. Notably Brook still has his head attached to his crotch, the fool! Nami and Jinbe are the only Straw Hats that are still sober enough -- and we know from SBS and inference that those two are the ones that can hold their liquor the best. We get a nice bit of 'worf effect' as a flying ship of firefighters swoop in and try to put out the burning forest, only for the giant Draugr to rise up and slap the sky-ship out of the air. Very nicely cinematic and a neat buildup for these kaiju monsters. 

We get a bit more of a showcase on the God's Knights. Sommers gets to do the most this time around, and he's one of those anime villains who really likes his monologues. Specifically, he really likes to talk about love and thorns and how love hurts. I don't know if he's just being artistic or if it actually works alongside his powers, but he talks about how the more love takes hold, the deeper the thorns pierce. Or something along those lines. He is really anticipating when the parents show up, and they will be torn up in a 'loving murder' by his thorns. We learn his fruit is the Thorn-Thorn Fruit, so a Paramecia, then. I think most people caught on the thorn-style aesthetic around his sword two chapters ago, and most of the consensus seem to be around some kind of faerie (thanks the Pied Piper style effect), but we now know that hypnosis thing was all Killingham's fault. 

We get a bit of a geographical explanation of the route, and Killingham shows off how his dream powers work -- he hypnotizes Sommers to sleep momentarily to get him to dream of salt, then reaches into the bubble to pull out the salt. Killingham is identified as a Dragon-Dragon Fruit: Model Kirin, and specifically as a dream-manifesting man. His dream food are specifically zero calories! I haven't done enough research on Kirins and dreams to know how mythologically accurate this is. But they discuss a bit about their seemingly simple plan (which probably isn't helped by the fact that they're willing to let the kids walk into flame and just gather a second batch), but Gunko gives caution to her allies that Straw Hat Luffy's ship is docked in Elbaf.

We cut to the Loki confrontation, where he's facing off against the New Giant Pirates and the Straw Hat monster trio, wielding his massive thunder sledgehammer and boasting about how he's going to burn everything to the ground. It all turns out to be a big, fat bluff, though. Hajrudin is ready to fall for Loki's bluff, but Luffy zips in and notes that he claimed he would take responsibility. Loki unleashes a Gear Third attack, and Loki immediately collapses to the ground face-first.

It goes a bit understated thanks to Luffy charging in immediately, but I like that Zoro actually identifies that Loki is pulling a bluff on them. Of course, it probably helped that last chapter Zoro was going around impaling Loki to determine how wounded he is. Zoro seems quite indifferent on whether Luffy and company are going to let Loki die or not, he just feels obligated, I think, to point it out. Interestingly, it seems like Rodo is the first one to start putting things together between the mysterious assailants in the castle and Loki's attackers, though he's still keeping to himself. Luffy asks Hajrudin for help in at least treating Loki's wounds... and Hajrudin complies. It's a nice interesting dynamic where Hajrudin is technically Luffy's underling, but this is also a very personal giant-matter for Hajrudin. 

Gerd, who is the ship doctor, manages to stabilize Loki with bandages and a blood transfusion, although they are wise enough to at least put back some of Loki's chains. Luffy makes some comment about Loki's horns, which causes Hajrudin to have a flashback to King Harald. This was pre-ripping-off the horns, but he at least raised Hajrudin and Loki as siblings... although Loki constantly beats up Hajrudin, who is a 'runt' compared to him, and mocks Hajrudin's mom and bastard blood. 

This memory causes Hajrudin to get pissed off enough to stand up and pull out his axe, seemingly about to kill Loki in cold blood, ranting about how Loki killed his dad and insulted his mom. Loki, in an almost bored, resigned and maybe even disappointed tone, tells Hajrudin that he's "so drunk on personal drama" that he can't see the big picture, and asks Hajrudin if he's "really like all the rest", thinking that Loki killed Harald in cold blood. "You don't really buy it, do you?" 

So as everyone has probably guessed, yeah, the simple story of Loki being the irredeemable uber-villain who killed the good king isn't the whole story. Which parts are fabrications, which parts are Loki misunderstood and/or framed, and why Loki has kept the truth hidden? Those will be what's interesting to learn about. Neat to see some of this mystery slowly peeled back! 

Random Notes:
  • I like this combination of Gunko, Killingham and Summers' powers, actually. It's a bit ridiculously powerful, but three Devil Fruits working together to cause these effects feels a lot more believable compared to one of the narratively-worst Devil Fruits in terms of power balance: Sugar's fruit, which does so many things at once that it would feel more at home with the power systems of Hunter x Hunter or JoJo's Bizarre Adventure
  • It goes a bit unmentioned throughout my review, but I like that as we see our heroes and villains converse, in the background the Dream Demons (or 'Muma', as some translations call it) are just lumbering around wreaking havoc. 
  • Another island, another new variation of Den Den Mushi -- this time it's a giant one that's translated as a 'telediction snail'. 
  • Jarul's great-great-great granddaughter is Ylva, one of the named children in the Walrus School. 
  • Gunko being excited at the good food is actually quite adorable. I mean, for a classist, racist child-murderer, at least. 
  • Notably, Kid Loki already has bandages over his eyes. So is he always been blind from birth, or if the eye-coverings has something to do with the super-mysterious devil fruit, did he eat those since he was young? Or maybe it's just a fashion statement? 

Thursday, 20 March 2025

Reviewing Monsters: Elden Ring, Part 10

Just like Stormveil, I did a bunch of exploration in-between doing Raya Lucaria stuff, but I decided to devote part 9 to talking exclusively about the enemies we meet there. Between the Rennala lore, Fingercreepers, the Abductor Virgin and the sorcerers themselves, I  think there was quite enough to talk about there? 

These guys are enemies I kind of found while wandering around and farming for runes to level up and get enough stats to beat up Rennala, while also trying to clear out other parts of Liurnia, Weeping Peninsula and Caelid. I did a lot of the shorter dungeons (many of the ones have became a fair bit easier) to just see more of the world and collect items, but I also made it a point to clear some of the larger overworld sub-areas like Carian Manor and Sellia the Town of Sorcery. 

And... to be frank, I've been really loving just exploring the Lands Between
without the pressure of having to grind a certain way to get certain objectives or whatnot. I'm just clearing dungeons and talking to people, yeah? While I figure out whether I want to clear Volcano Manor or Caelid first, which could honestly go either way. 

But there are a lot of bosses, a lot of humanoid enemies and the like, so this one has a fair bit more entries in it -- enough differences as human/humanoid bosses for me to remember them, but not really enough of a 'wow' factor for this review to be extended into two articles or whatnot, yeh?
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Ghostly Enemies
I'm going to lump all of these guys together because they're just "reskins" of enemies we've met before... they're not really significant in terms of design, but they were annoying enough and prominent enough in their respective dungeons for me to want to at least talk about them. 

The ones on the left here are the ghostly Raya Lucaria Knights that hang around in Caria Manor. I think them being ghosts is just a way for the designers to have them manifest and 'spawn' in ramparts and corridors so that they can ambush you. Some of them can teleport! Later on, you discover that these guys are technically 'puppets' and the puppetmaster is the last remaining servant of the Carian royals, who are tasked to create puppets of the Raya Lucarian forces that once laid siege to the castle. Not sure how, exactly, they do the 'teleporting in' if they're just puppets, though. 

The second one I'm mentioning here is a Headless Troll Knight Ghost. We've met troll knights before, and we've met troll knight ghosts before. These guys teleport around! The fact that there's a headless variant -- and they're found around the Four Belfries, which is an area to protect -- implies that they might've gone through the same ritual that created the Mausoleum Knights.

The next ones are ghostly versions of the Wandering Nobles and the Raya Lucaria Sorcerers (all three variants show up) that hang out in "Sellia, Town of Sorcery" in Caelid. While most ghosts tend to just be more or less identical to their fleshy counterparts, with maybe some additional teleportation skills, these assholes are actually invisible. They don't spawn in, they just exist and shoot glintstone magic at you from afar while you scramble to get close enough to trigger them appearing so that you can target them. 

And since the Lucaria sorcerers are already pretty annoying enemies in the first place, having invisible ones that can flit in and out of your targeting reticules is just extra fun. There's a lot of them swarming around this ruined town, which inherently requires you to explore and jump around to figure out how to unlock the magic doors there. I love and hate the design of Sellia in the same breath. 

Putrid Avatar
So in Caelid, the Minor Erdtree Avatars that I've been fighting in Liurnia and Weeping Peninsula are rotten, with some extra texturing on their wooden parts and a bonus Scarlet Rot attack. Not much more to say beyond that, though it does feel like a "natural" variant in this world. 

Commander O'Neil
This guy is considered a 'great enemy' in the Caelid regions, who I encountered and killed honestly by accident? He's important to a quest that I didn't discover until a bit later. He sure is a big guy in a fancy armour, wielding a halberd with a flag wrapped around it and he fights me by summoning a bunch of Exile Soldiers ghosts as minions. I can summon my own ghost buddies too, and he's honestly kind of slow in an area where I can jump around with my horse, so it was the terrain inflicting Scarlet Rot on me that was more of an issue. 

Item descriptions tell me that O'Neil is the only survivor of one of the factions that battled in Caelid, and he's still fighting in honour of that memory. I just find him extra memorable for his otherwise rather mundane name, O'Neil, in a setting with Radagons and Margits and Rennalas. 


Guardian Golem
This is the boss of the Highroad Cave, which is a fun-designed little subterranean cave filled with natural enemies (including a Giant Octopus that hang upside-down like a bat!). Standing at the end is the Guardian Golem, which is a version of the Archer Golem we met before but with a giant axe with a glowing furnace for a chest. There were technically a bunch of them that guarded the way to Godrick's Great Rune tower or whatever, but I just... never talked about them? Well, I was doing some of the older dungeons and I guess I'll mention this guy. He's a big giant suit of armour with a big weapon. That's pretty cool, even if we still have nearly no context about who made these Golems beyond the fact that they're big, they're old, and some parts of them litter the Lands Between. 

Preceptor Miriam
Another new model, this one is the boss in sort of a mini-dungeon, the Carian Study Hall. It's kind of unique in that the whole hall's dungeon basically involves us chasing Miriam up the tower as she continually teleports upwards. She summons a giant Quincy bow and launches gigantic blasts of magic arrows, and summons a bunch of ghost soldiers. Being a 'Preceptor', she's a new model with a fancy hat and golden mask, but... as always, I find myself really out of words to talk all that much about humanoid enemies. 

Page
We met the 'High Page' variant in the Raya Lucaria Academy, but in my quest to clear the Carian Manor and its infestation of Fingercreepers and ghost knights, these guys show up. They sure have hood-hats and shoot me with crossbows! These are completely new models, technically, so I'm obligated to at least mention them here.


Royal Knight Loretta
The Carian Manor is basically the big overworld 'dungeon' in Liurnia, dwarfed only by the main 'legacy dungeon' of Raya Lucaria Academy. And after fighting your way through hordes of Fingercreepers, ramparts filled with ghostly knights, graveyards filled with living jars and a troll knight leading a bunch of sorcerers, the final boss of the Carian Manor is Royal Knight Loretta, who is faced in perhaps one of the most badass boss stages not given to plot-relevant demigod. It's giant circular pool used for moon-gazing, with a bunch of chairs arranged around it like a ritual circle. Loretta herself is a mighty knight on a horse, who, like most of the knights of Caria Manor, seems to be a ghost.

She's got a really cool spell where she channels her power into giant Quincy bow and fires it at me, which is basically a cooler version of what Miriam does. The best thing about Loretta, however, is the fact that you actually do get the bow spell after defeating her, which I thought is pretty cool!

Lesser Sanguine Noble
Yeah, while we're at it, might as well as rapid-fire some more humans. The Sanguine Noble here is quite neat. I meet him in the Rose Church, which is a church filled with some Resident Evil levels of random flesh lumps, and the Sanguine Noble summons like bloody briar thorns to fight me. He's a little preview of 'blood sorceries', which is associated with another one of the demigods we won't see for a while. It's a nice little showcase of some of the enemies we'll face in the future, which is nice worldbuilding. The Sanguine Noble here isn't quite entirely human, though. It's a bit hard to see when he's in motion, but screenshots like this show how clawed his feet are, implying some kind of mutation. 

Cleanrot Knight
This Cleanrot Knight is the boss of Stillwater Cave, a cave filled with poison lakes, Miranda Flowers, and the Servants of Rot who appear to be worshipping them. They are knights sworn to one of the demigods we have only seen in the cutscenes, Malenia, and are supposed to be guarding against rot... for as long as they can. It's a slight spoiler, but the idea of these knights that are devoted to their leader that they continue to wade into battle against the 'rot' while their body slowly starts to decay -- implied by the plantlike growths growing out of their body -- is pretty badass even if their design is yet another "it's a person in armour!" design. 

They've got fancy armour with branches sticking out of them, and they dual-wield a sword and a spear, with a little buckler shield. The one I fought also has this cool attack of slamming his (her?) weapon onto the ground to create a bunch of glowing spears that rise up from the ground. 

Nox Swordstress & Nox Priest
Yet another humanoid boss. Or a pair of bosses, more like. These two fellows are the final bosses after solving the puzzles in Sellia, the Town of Sorcery. The Priest fights with a club and sometimes throws down with his fists. It's hard to tell here, but the swordstress wielding a ridiculously oversized curved sword that can be 'moulded' into liquid metal and function as a whip. I know this, because her sword is the reward from the boss fight and I've been using that as my default melee weapon after this fight. 

As for these two... eh? I really like the weaponry they have, which sets them apart, but we have so many humanoid knights and priests and warriors of many sorts on this page alone. There is some cool, if spoilery, lore about the Nox civilization that these guys are aligned with... but that makes the backstory interesting. These ladies are just cool-looking hooded women with fancy weapons. The fight against them was... surprisingly easy, which is a bit of a surprise considering that Sellia kicked my figurative nuts when I was exploring it. 

Ball Bearing Hunter
like the execution of this guy. There are some locations in the overworld where it's a site of grace where you can teleport to a safe place. Some of these places are near merchants! And... at night, in some areas, the merchant is gone. After looking around in confusion, a scare chord plays and this large guy wrapped up in thorns and chains and whatnot stride out of the darkness. He is called the "Ball Bearing Hunter", which is a reference to a mechanic in the game where if you kill a merchant, you can get their 'Ball Bearing' to essentially transfer that merchant's wares to a centralized location. It's a nice little game mechanic, and apparently the Ball Bearing Hunter here is going around killing merchants. Now, no actual merchants you meet will actually be harmed by this guy, but it is an interesting concept nonetheless. 

The guy attacks with a cool glowing sword that he can telekinetically manipulate away from him, but ultimately he's just some guy. Unlike Edgar, there doesn't seem to be a story yet about the Ball Bearing Hunter, but I do like the presentation and the shock factor of seeing this mofo appear for the first time when you were expecting safety. 


Mad Tongue Alberich (and other Invaders)
Okay, maybe talking about these named human enemies is a bit of a mistake. I really don't have much to say about most of them without going into Fashion Souls territory. Alberich here is fun, though. He's a secret encounter if you jump off the balcony in the Roundtable Hold, which is supposed to be a quiet base where no combat occurs.

But... yeah, I tried talking about other invaders, like Edgar the Revenger, Anastasia Tarnished-Eater, Recusant Henricus and Bloody Finger Ravenmount Assassin... but they're just people, y'know? There's not much of a gimmickry to them without going into their story. And not all of them even have a story! Edgar does, at least. He's an NPC we helped (or rather, failed to help), and is driven by grief at the death of his daughter that he's going around killing people and we have to put him down. 

Also, I just find them being covered in a red aura to be so ugly. I realize it's a holdover from Dark Souls or something, but look at the screenshots of the 'regular' non-invader humanoids like the Nox Swordstress or Preceptor Miriam! This is a leftover from the Dark Souls games that Elden Ring is based off of... and I don't know if Dark Souls explains this 'invasion' PvP mechanic in-universe, but this is probably the thing I dislike the most about the otherwise pretty top-notch worldbuilding of this game -- I felt like the NPC 'Invaders' feel utterly unnecessary and there's no reason why all of these guys have to be glowing red and pretend to kinda be spectral entities or something. I dunno. Just be regular people, guys.

Necromancer
These guys vexed me. Not that the idea of a necromancer summoning skeletons is particularly new or anything, but... but for the rest of the game, skeletons have been showing up and doing their whole 'hit their corpse one and they die for good' schtick. And then I walk into the Black Knife Catacombs, and the skeletons not only have gained the ability to roll, but they also refuse to die. Like, I died so many times like a dunderhead trying to stab the fallen skeletons only for it to have no effect.

Turns out that only in this dungeon, skeletons are maintained by these Necromancer bastards, who look like the commoners in Godrick's castle, holding torches. And you have to kill them to get these 'special' skeletons (sometimes there's a bunch of them!) to die. But not all the skeletons are tied to the necromancer, though, no! Some are just regular skeletons that behave like they do in the wild. Oh, and of course the necromancer is always located in like a corridor after the skeletons, so you really do have to dodge the skeletons and hunt down the necromancer and rush him down before the skeletons gank you. 

It's not that hard once you get into the groove of things, but this gimmick did really bamboozle me in the dungeon. 


Black Knife Assassin
I think we met a 'named' one near Patches' cave? The Black Knife Assassin serves as one of the two bosses in the Black Knife Catacombs, hanging out in the tomb's equivalent of a chapel. She's one of the Black Knives that killed one of the demigods, Godwyn, in the prologue to the story, and I think I'm supposed to hunt all of them down and collect certain items to help one of our allies unravel the truth about that night. Apparently they stole fragments of a rune of death of Maliketh, another demigod, and used it to kill Godwyn the Golden. Okay!

They have a rather cool grab animation where they latch onto you and really slice into your jugular. They move quickly around the room, your typical 'glass cannon' archetype, but can be staggered quickly with fast attacks of your own. Okay!

Cemetery Shade
The actual final boss of the Black Knife Catacombs is a Cemetery Shade, which takes place in a similar room with giant roots with corpses growing out of/being fed to it or something. Instead of a giant kitty-cat statue, however, the boss here is this... black shadow-man. It's got glowing eyes and tentacle hair, and summons a bunch of those aforementioned annoying skeleton friends to attack. 

...it turns out that the Cemetery Shade's bark is way worse than its bite, though. It dies to like, less than four hits, and the only real difficulty is to dodge his skeletons and chase him down as he smoke-forms all around the room. Which is kind of a shame, because I really didn't even get to absorb what this guy is all about as a boss. I'm not sure if it's just my build that's suited to fighting him, but surely it would be a Faith build, not an Intelligence build, that would one-shot undeads, right? 

Googling proper images of the Cemetery Shade gives me a closer look to what it's all about... those aren't actually tendrils, but rather bug legs. And it's actually wielding a pair of giant mantis scythes, with the description of some item (that I haven't obtained yet) describing them as 'insect-ridden grave keepers'. And it's a bit clearer from other specimens seen in brighter areas that the rather underwhelming tendril hair is... actually some Facehugger-esque bug legs that curl around the Shade's head like a crown. Actually, the central two horns almost look like engorged moth antennae or something. These close-up images also really shows off the actual texture of the emaciated, skin-and-bones ghoul-corpse beneath all the shadows.

This breakdown of the monster's visual design within the files of the game further showcases something more about the Cemetery Shade... that it's implied to be either a corpse or a near-dead person being pupeteered by a monstrous crab-thing. I wouldn't think of crabs as my first choice of a parasitic monster, let alone a parasitic monster associated with the undead and catacombs... but Elden Ring really does love using crabs to symbolize scavengers and corpse-feeders, so I guess that's the connection there? There's also apparently a 'web-spitting' attack that the crab-hat creature can do, so there's some 'spider' baked in there as well. 

Even without taking my long-running love for insects of all sorts, this is so much more interesting than the honestly rather banal 'it's a shadowy boss that summons some skeletons' boss fight I just had. I'm honestly kind of disappointed! Such a great concept, such a great design, and honestly, such great animations... and I barely saw any of it. 

Tree Sentinel
Oh, hey, yeah, I try not to repeat monster 'reskins' if there's nothing super-interesting to talk about (that troll being headless and a ghost is one such interesting factor) but since this guy was one of the first encounters in the game, I think it's obligatory to cover the Tree Sentinel now that I've beaten him. Mostly by accident! I was testing out some new summons when the Tree Sentinel attacked, and I fought back, and managed to beat him. 

Having played through a fair bit more of the game now, I can see a lot of the 'tree' imagery built into the Tree Sentinel's shield in particular, with vines growing around it. The Tree Sentinel is also able to conjure one hell of a cool-looking Dr. Strange style magic circle to bombard you with magical golden missiles, and I think we've established elsewhere that the plants in this world are what other fantasy settings' holy magic are associated with. The colour gold is also a running theme across the game, with Godwyn the Golden and the main religion of the world being the Golden Order. 

It is nice that the Tree Sentinel design is ultimately just still the same, and my commentary is still the same -- it's a cool looking knight with oversized weapons. It will look cool, just like how all the dragons in this game look cool, but we've seen this before. But I do like that after exploring the world and seeing more of it, some of the design choices I had taken for granted ended up feeling a bit more significant. 

Tuesday, 18 March 2025

Daredevil: Born Again S01E02 Review: Cop Killer

Daredevil: Born Again, Season 1, Episode 2: Optics


"Optics" continues the pretty amazing storyline. I think I'll go with one character at a time, starting off with the newly-elected mayor Wilson Fisk. There's an interesting balance on seeing how the show will handle 'Mayor Fisk'. Because... well, it's not a matter of 'if' he's turned good, because that's never going to happen here. But exactly what does Fisk want, and just how will we see him slip. So far he's shown a fair amount of restraint with Matt Murdock, and we get an actually cool scene for him walking up and literally handwaving red tape to fill up a hole in the street. (And there is something to be said about the sheer amount of bureaucracy stopping politicians from doing simple, good things like this) It's very simple, and very good for 'optics', as Fisk's little gaggle of political support staff note. 

The rest of the events that Fisk does in this episode is a bit interesting as he interact with the side-cast. We glimpsed plucky reporter BB Urich last episode, and now we get a full scene with her interviewing Fisk and asking him about some hard-hitting questions. There is the drama behind that meeting, of course, because BB seems unaware that Fisk killed her uncle, and Fisk seems content in using BB as an unintentional mouthpiece. 

A more sinister sequence takes place around Fisk's encounter with commissioner Gallo, who hates Fisk's guts. This leads to Gallo antagonizing Fisk a little during the funeral of a policeman (which we'll talk about in the 'A' plot) before Fisk turns the tables around by blackmailing Gallo and preventing him from resigning and giving Fisk a poorly-managed police force. It is a dirty trick from Fisk, of course, finding out the information about Gallo's illegitimate son and threatening his life, but it's a nice sequence in a 'shades of gray' deal. Is Fisk threatening Gallo just out of regular villainy (or spite, that works too) or is this his way of keeping stability among the police force of his city? 

In a rather interesting note, Wilson Fisk also trying to bring his life together, going on a couples' therapy with Vanessa -- with Matt's new love interest, Dr. Heather. That's an interesting plot thread mostly to see how Fisk is reacting to Vanessa's new lover, especially considering Fisk's previous control-freak tendencies. Notably, of course, his attempt to actually reach out to Vanessa properly as a husband only comes after his campaign staff noted that he needs his wife to appear supportive in front of the constituents. 

The 'A-plot' revolves around a trial. And we see the events that led to one Hector Ayala being pegged for killing a policeman. And I think it's important that the audience sees with unambiguous certainty that Hector was just trying to break up what he thinks is two people beating up someone helpless. A scuffle happens and one of the aggressors falls and dies in the path of a train, a very brutal and unfortunate incident. The dead policeman's partner is understandably upset, but what's not understandable is the brutal beatdown that Hector suffers under the hands of the angry policemen, and the fact that they're trying to get him to take an unjustly unfair punishment. It's an interesting gray area where a vigilante (or a well-meaning citizen) accidentally causes the death of an undercover cop, which I last saw in Punisher: War Zone

Matt ends up coming across the case, and uses his super-hearing abilities to determine that Hector, at least, isn't lying about not killing the cop. Matt ends up representing Hector in his case, which is nicely presented as a particularly difficult case to pull off. The judges are not inclined to be open-minded, and the entire NYPD is already quite muffled at the cop-killer, standing together in unity. With the 'I-said-you-said' way that the event happened, however, it is really hard for Hector to mount any sort of defense.

An additional complication arises, of course, when Kirsten and Cherry goes to talk to Hector's wife Soledad. And it turns out that Hector Ayala isn't just some well-meaning dude trying to stop a fight... he's also a vigilante, the White Tiger. One that's admittedly not operating as White Tiger when he fought the cops, but the circumstances behind it isn't particularly good for him -- the cops hate vigilantes, and Mayor Fisk is operating on an anti-vigilante platform. Somehow, Matt manages to convince the judge to keep the superhero identity out of the record... but the case still doesn't look particularly good for Hector. 

We get a very nice scene between Matt and Cherry, with Cherry asking Matt some hard-hitting questions about his own past as a vigilante. Matt goes off on his own investigating to look for Torres, the guy being beaten up by the cops and the only other witness there. Matt manages to track own Torres, but so do the cops... and I am kind of disappointed that the cops turn out to be dirty cops all along -- I'd much rather have an argument where the police genuinely misunderstand the situation. But they are quite literally willing to murder Torres, and when they find Matt alone in Torres's apartment, they get ready to blow his brains out. 

This leads to a very awesome scene as Matt finally lets the devil out again, brutally breaking limbs and overpowering the two dirty policemen. That cathartic scream is excellently acted as Matt, who has been trying to work within the system to defend a mostly-innocent man, finds out that the system is still broken.

Marvel Easter Eggs Corner:
  • I didn't do it last episode, but here are the other 'civilian' characters and who they are from the comics:
    • Kirsten McDuffie is the assistant D.A. in the comics, and had a playful relationship with Matt, trying numerous times to prove that he is Daredevil. She dated Matt on-and-off, and remains one of his allies throughout most of his adventures .
    • Heather Glenn in the comics is a love interest of Matt Murdock. In the comics, she is the daughter of the CEO of a major company, but would end her relationship with Matt after her family was drawn into the superhero world and caused the death of her father at the hands of the Purple Man. 
    • BB Urich does not exist in the comics, but notably Ben Urich does have a prominent nephew instead of a niece in the comics -- Phil Urich, a villain that has taken the mantle of Green Goblin, Hobgoblin and Goblin King over the years.
    • While the rest of Kingpin's staff appear to be original character, the stoic Buck Cashman is the supervillain Bullet in the comics, a highly paranoid member of the U.S. military who is secretly working for Kingpin. He would face off against Daredevil various times. 
  • In addition to Daredevil, Fisk alludes to the Punisher and Spider-Man in his speech. Both superheroes operate in New York and have traditionally fought the Kingpin a lot in the comics. 
  • In the comics, White Tiger is also represented by Matt Murdock in a trial where he is accused of killing a policeman -- though the circumstances are different. In the comics, some burglars White Tiger was trying to stop shot a policeman dead. When other police came, White Tiger, in full costume, was found holding the stolen merchandise over the dead body of the policeman, leading to the iconic "The Trial of the Century" storyline in Daredevil 1998 #38-40
  • While we don't see the amulet being used, the dialogue Hector uses implies heavily that he shares his comic-book counterpart's ability to gain additional strength from his tiger amulet. 

Monday, 17 March 2025

Reviewing Magic: The Gathering #4: Legends

So here we are, with the third expansion for Magic: The Gathering, and the first 'big' expansion, consisting of 310 cards as compared to the 100-set Arabian Nights and Antiquities. The idea was for this to be the sequel to Magic: The Gathering, but plans changed along the way and almost every single new product under the MTG banner would be backwards-compatible, with them changing how they release each batch of cards. As far as this review series is concerned, we'll only be talking about the main expansions, at least until we get to the 'modern' era. At some point I'll probably sit down and talk about base sets or non-Standard-format cards, but that's still a fair long way off.

"Legends", as it were, did not really have any tie-in story, being envisioned as what modern MTG players would call a 'core' or 'base' set. It instead falls under the banner of the generic middle-ages fantasy setting of Dominaria, adding more stuff to the worldbuilding. 

The main concept are both the introduction of something that modern MTG players would take for granted -- the first being multi-coloured cards, cards which require multiple different colours to summon. These were gold-bordered (yellow in the modern format) and, at least in later expansions, would allow for more cross-colour identity in both gameplay and flavour. 

The second is the titular 'Legend', better known as the supertype 'Legendary'. Remember how in previous expansions I mocked how you can technically have four Ali Babas or Uncle Istvans in a single deck, even though their names implied that they were unique characters as opposed to a type of monster? Like, it makes sense for a magician to summon four, oh, Savannah Lions or four Khabal Ghouls. But four of the same specific person?

'Legend' was originally just a creature type in these older cards, but in the future they would become essentially a supertype -- an extra adjective that tells you that this card falls under 'Legend rules', which means that only one copy of a card with the same name can exist on the board at any time (later changed to only one copy existing under the control of a player).

Mechanically, it's all neat, but I also would like to say that I really don't have a lot to say about many of the cards in this expansion. Compared to its original version in 2019, I trimmed down almost 40% of the length of the legendary humanoids originally was because I was trying so hard to have something interesting to say. And... a good chunk of it is that a lot of them are just cool fantasy people in cool fantasy poses, but there's not much for me to say because even just four sets in and without any particular differentiator or story, there's not much to say about 'another knight', 'another priestess' or 'another archer'. Still, not to be negative because a 300-card expansion is still a 300-card expansion, so strap in for Legends!
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[originally published in August 2019; rewritten in January 2025]
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Dakkon BlackbladeRamses Overdark
Also, the official numbering starts off with mono-coloured cards before going to the multi-coloured ones, but since I hyped up the legendary/legend creatures so much in the intro, we'll be getting them out of the way first. Dakkon Blackblade, the closest that this set has to a 'main character' that got any kind of tie-in fiction, is a reasonably cool knight with a pretty elaborate shield and a badass sword, which, I believe, is cursed in some way. MTG has always been pretty tied to Dungeons & Dragons, and if this was a representation of a campaign then the legendary creatures would be the protagonists or enemies of said campaign. 

I really like this artwork of the gloriously named Ramses Overdark. What a gloriously hammy main villain name! I really like how detailed his armour and helmet is, and how stern his expression is. Some characters, Ramses included, would later show up in miscellaneous tie-in novels much later on. That's neat, but I'm here to review monsters, not characters. I do think we do need a couple of 'just a dude' guys to be a baseline, and having a traditionally heroic hero and villain works here. 

Sivitri ScarzamJedit Ojanen
Sivitri Scarzam is a nearly-naked lady with what looks like vines for armour and some fancy almost wing-like capes, and she's riding a sea serpent or a dragon of some sort. Despite the seeming implication that she's like an elf or merfolk or something, later creature-type retcons (which gave new creature types to everyone that's just 'Summon Legend') would establish that Sivitri is a mere human. One big problem about these older cards is that... they're very weak because back in the day, the designers thought that being a 'legend' was enough to give them an extra advantage. But Sivitri is a seven-mana card that's merely a 6/4 with no additional effect. In contrast, that statline is identical to Craw Wurm from the very first set, but Craw Wurm is a whole mana cheaper and doesn't require multiple colours to summon!

Jedit Ojanen is, unless I'm missing someone, the first cat-person we're setting. He's a muscular tiger-man! We'd have a lot of the Leonin race later on, but they all fall under the banner of the creature type 'Cat'. Jedit is a 'Legendary Cat Warrior', and it's a pretty cool novelty to see a badass, muscular tiger gladiator within the many, many humans in this set. 

Ramirez DePietroRohgahh of Kher Keep
Ramirez DePietro is a pirate captain, and while ridiculously overpriced as a 6-mana 4/3, is very notable for being our very first proper pirate, complete with swashbuckling outfit and eyepatch and everything. A 'most flamboyant' captain who hides his age, apparently!

Rohgahh of Kher Keep is a Legendary Kobold, and we'll talk a bit more about Kobolds in Red. They show up in this expansion, but did not enjoy any of the popularity of goblins and orcs -- mostly because they really didn't feel any different compared to goblins or orcs. Without the explanation in the effects, it's easy to be tempted that Rohgahh here is just either a short orc or a fat goblin. 

Boris DevilboonJohan
We've got two kind-of villains here, with Boris Devilboon being a 'Zombie Wizard' -- he's a scar-faced necromancer wizard guy that looks rather stereotypically evil, and his (ridiculously expensive) tap effect summons 1/1 Demon tokens.

I guess this is a neat enough time to talk about creature types -- a lot of what we'd call 'player race' charcaters in D&D tend to have a type that corresponds to their species/race ('Zombie', in this case) and one that corresponds to their class ('Wizard', in this case). There is, understandably, a lot of overlap between classes as the card game continues to expand -- especially in the earlier sets. 

Johan, despite looking like Dominaria's best Darth Maul cosplayer, is actually just a regular human wizard. He's not even assigned to Black, instead having a Red/Green/White colour combination. Don't judge a book by its cover, I guess? I really like his horns and face tattoos. 

HalfdaneXira Arien
Halfdane is pretty fun. Identified by the retcons as a "Legendary Shapeshifter", Halfdane enters as a 3/3 before shifting into having the statline of another creature on the battlefield, represented here as he transforms to mimic that Viking guy... presumably Halfdane is the helmet-less one glowing with energy. A pretty fun card, flavour-wise!

Joining in the 'not a human' club is this 'Legendary Insect Wizard' Xira Arien, who has the lower body of a woman in a dress, the semi-transparent wings of a dragonfly, and a bizarre head that doesn't seem to have visible mouthparts and a head that expands wide to the side, like a squished cobra hood. I thought that it was part of her anatomy, but it's just actually a really elaborate hat! That's cool! More of these, please! Xira is a member of a humanoid-wasp race called the Eumidians, who has been represented in MTG by just... Xira. Boo! 

At some point, as mentioned in Alpha, I'd like to go through and talk about new artwork given to older cards, but someone in Wizards remembered Xira Arien and gave her this very fancy and somewhat haunting art of her in a more simple dress... with four arms, like a proper insect, and a face that is devoid of features, almost like Slenderman! A new card of her, Xira the Golden Sting, was released in 2022, and she has a fancy bee-themed dress and hat, and has facial features other than an eye. Which is it? Is it just eyes, a whole face, or faceless? 

Vaevictis AsmadiPalladia-Mors
Ahem. I got carried away with the bug-person, and we're going to go to the cycle of five Elder Dragons. They are some of the mightiest creatures in Dominaria, survivors of an ancient, primordial war, and... this sounds very Dungeons & Dragons-y to you, because it probably was! At least one of the Elder Dragons would become a major antagonist in future MTG storylines, and the Elder Dragons in general would give rise to the "EDH" (Elder Dragon Highlander) format, better known in the modern day as "Commander". 

Vaevictis Asmadi, representing the combination of Black, Red and Green... doesn't have the most impressive art compared to his brethren, just being a screaming, almost fish-like head. You're able to boost his 7/7 stats by paying one of any mana. All the Elder Dragons demand a continuous upkeep of paying a 'tax' every turn to maintain them on the field. Lore would place Vaevictis as being a 'cousin' to the other four, who are siblings. 

Palladia-Mors is Red/Green/White, and is noted to be one of the most savage ones among the Elder Dragons. He's a bit more simple, having Flying and Trample... and that's it. The artwork makes him look a bit more demonic than the reptilian or almost intelligently-human faces of his brethren, and later pieces of artwork really highlighted how brutish and animalistic he looks. Pretty cool, though!

Arcades SabbothChromium
Arcades Sabboth looks a lot less like a dragon and more like a dragon man, sitting bipedal on a throne with a sinister grin on his face. He's even got a cape! Arcades Sabboth has a bit of a less impressive effect, buffing toughness instead of power. He's made up of all the 'good' colours, a combination of White/Blue/Green. Later interpretations of him would change his appearance significantly, making him bright blue and exaggerating the two tusks seen on either side of his face. I do like that even though the artwork of these classic designs are updated, they're at least trying to homage the original depiction.

Chromium, full name "Chromium Rhuell", is covered with metal! He represents Blue/Black/White. I have a feeling that the names "Chromium" and "Palladia" are inspired by the metallic dragons of Dungeons & Dragons fame. Just like the metallic dragons of that game, Chromium was able to shapeshift into the size of a human, and he would be able to form emotional bonds with humankind. 

Chromium has the keyword "Rampage 2", which means that Chromium gets +2/+2 for every creature after the first that blocks it in combat. Which... isn't the most practical ability since it's very dependent on the enemy choosing whether or not to block with multiple other creatures. 

Nicol BolasTetsuo Umezawa
And we close off the multi-coloured cards with Nicol Bolas! Another long-running antagonist for MTG, it's fun to remember that this Red/Blue/Black dragon originally started off as essentially a wizened old grandpa with a dragon's head reading a book. Look at him! He's so cheerful compared to all four of his siblings. But Nicol Bolas's effect is pretty devastating, being able to force your opponent to discard their entire hand when he inflicts combat damage. 

You wouldn't know it by this artwork, but Nicol Bolas would get a significant coolness upgrade in subsequent interpretations as he rises to be easily the most significant character out of these five Elder Dragons, and becomes a god-pharaoh planeswalker that would invade the Egyptian-gods-themed plane. Even in this earlier material, Nicol Bolas would be the 'man-behind-the-man' for a series of text stories, which definitely fits the D&D homage! Perhaps it's because he looks so different in the artwork, the fact that he looks so unassuming despite being formed out of the three most 'evil' combination of colours, that he ends up sticking in the minds of the fiction writers and fanbase. Nicol Bolas! 

One of the heroes he menaces, Tetsuo Umezawa, ironically has the same "Grixis" colour combination as Nicol Bolas. Tetsuo is the star of a series of comics or novels (all the characters here who got stories would have them be released in 1996, two years after Legends). He's drawn in a classical Japanese samurai artwork. Pretty neat and different from the rest of this expansion. I don't have much to say about Tetsuo himself, but I felt it's nice to put him here with his nemesis. 

AbominationFallen Angel
And now... in with the mono-coloured cards. And we're starting off with real 'reviewing monsters' here! The Abomination, later retconned to be a 'Horror', is a pretty creepy monster. The artwork is pretty nice body horror, with lumpy flesh and eyes that don't seem to be working... and the simple lack of lip-flesh, revealing the gums and teeth. That's pretty subtly nasty compared to some of the more over-the-top gore we would later get into. It's also got a rather flavourful effect, being able to corrupt and destroy any of the 'good' Green and White creatures that comes into contact with it. 

The Fallen Angel is one of the few angels to exist outside of White, and it plays to the trope of Lucifer and his fallen angels becoming villains. Fallen Angel here has got a pretty flavourful artwork, with the still-raw, stitched-up scars of where her wings used to be. You can even see a rogue feather falling down behind her!

TakklemaggotInfernal Medusa
Takklemaggot is not a creature, but rather an enchantment! Which behaves like a parasite .It's a bit of a mouthful there, but essentially it keeps subtracting the maximum toughness of creatures, and when they die, it moves on to another creature and ultimately to the player. 

A pretty great piece of art here, too, with the very nasty, almost bone-like structure on this fat maggot bursting out of a corpse's ribcage. The orange 'head', the long feelers, and even tohse nasty web-goo that is attaching it to the ribcage. Pretty nasty!

Infernal Medusa is our very first Gorgon. We're going to have a bunch of those over the next couple of expansions! Remember, kids, Medusa is the name of a type of creature called a Gorgon! She's got a rather primitive version of the keyword that we'd know as 'Deathtouch', being able to destroy any creature she comes into contact with. I really like the differing sizes of the snakes in her hair, with some slender ones forming braids, and larger cobras seemingly slithering out of an opening in her head. Combined with the creepy glowing black eyes, and we've got ourselves a rather memorable creature!

Cosmic HorrorHorror of Horrors
More Horrors! Cosmic Horror is our very first proper Horror, not counting retcons... and back then I think the idea was just to have 'horror' represent, well, Lovecraftian/Cthulhu monsters -- before M:TG began to use it as a stand-in for Phyrexian-corrupted monsters and a substitute for demon/devil. Cosmic Horror here is a nice tower-shaped mass of eyes, fangs and tentacle-tongues. I especially like how some of the faces look irritated at each other, and there's a single eyeball that sprouts out to the side like a mushroom! I like this -- giant squid-men are neat enough, but I like horrors that are... weirder, y'know?

Horror of Horrors is a pretty cool piece of art! This one is an Enchantment as opposed to a creature, but what a cool design it is. Taken straight out of H.R. Giger's nightmares, we've got a lot of bony-ridged tentacles forming the silhouette of a human had seen from behind... but it's not actually made by anything that's human-like. There are pieces of familiar anatomy, but in all the wrong places -- an eye on the back of the head, and a mouth on the side of the neck. Is this a Horror mimicking a human, or is it a human who was transformed into a Horror? 

It is really a shame that this isn't a particularly flavourful card in terms of effect, with nothing in the art or flavour text having any connection to sacrificing a swamp to regenerate a creature.

Evil Eye of Orms-by-GoreLesser Werewolf
So which piece of media popularized giant evil floating eyeballs as enemies? Did they exist before D&D made Beholders popular? Evil Eye of Orms-By-Gore is... interesting. Normally these giant eyeball monsters tend to be just a giant floating eyeball with maybe an eyelid covering it, but you can see the rest of the face of, presumably, Orms-By-Gore. I like the idea of an eyeball monster, and the fact that 'Eye' is still a creature type in MTG. 

We do have more 'classic' horror monster creatures after the break like a mummy or a headless horseman, but Lesser Werewolf (who's a 'Lycanthrope' before MTG decided to use 'Werewolf' as the creature type) is the very first of MTG's many werewolves. And... it'll take a while, but despite having a great track record at otherwise adapting a lot of different fantasy creatures into playable cards, MTG had a very long and storied history with trying to adapt werewolves. This one doesn't even really have anything to do with the transformation mechanic of a werewolf, but instead acts more like an infectious creature. Not even a good one! I suppose that's why he's 'lesser'.

Shimian Night StalkerWall of Putrid Flesh
Shimian Night Stalker is... interesting. It's a guy with very long limbs, a golbin-like face with spiky hair, and surprisingly defined musculature in his torso and abdomen. He's living in a cave, I think? 'Night Stalker', or later 'Nightstalker', would actually be turned into a proper creature type on its own. This creature, surprisingly enough, can redirect damage done to its allies to itself, which is not something I'd expect a Black card to do. 

We've got a bunch of other Walls in this expansion, but Wall of Putrid Flesh gets an extra mention just for that artwork. Look at the sheer amount of cartoony viscera and organs! It's juts a pile of nastiness, and the fact that it's rotting means that you can't really see any real specific organs or whatnot here. Very nasty!

The WretchedMold Demon
Now a pair of Demons! Or, well, they'll become Demons later on in the great creature update. The Wretched initially seems like 'just' a classic wings-and-horns demon, but I really appreciate the amount of work they did here to make him stand out while keeping the classic silhouette. There are holes in his pelvis corresponding to the bones. The skull-face is also pretty neat. But the most interesting feature has to be those metal frameworks attached to his bat-wings, almost like it's supporting it. Did The Wretched here lose his wings and this is like a treatment? Or did he not ever have wings in the first place?

What a fun concept Mold Demon is! I really like the more cartoony (other than the gore, obviously) artwork that they did for him, which makes him stand out a lot more. Retconned into a 'fungus demon', and it's got some really mean-looking white claws. I really like that his body is littered with a lot of horns and spikes that I think are meant to represent hyphae growing off a mass of mould. Mould isn't something you'd normally associate with monsters, but while fungus monsters won't show up all that often in the series, I appreciate this first one! 

Carrion AntsHell Swarm
At the heart of this series of articles we are still a ‘reviewing monsters’ series, and thus I would like to point out some monsters! And here we have a bunch of bugs. Carrion Ants is a pretty nasty looking swarm of ants, and while I’m not sure if it’s a swarm of regular ants or fantasy giant ants, it’s a nice adaptation of the ‘horde of army ants moving through a rainforest’ trope so commonly seen in media. I absolutely love the flavour text, too: “War is no picnic, but the ants seemed to disagree.”

Hell Swarm is an Instant instead of a Creature, and it’s a bit of a shame that the effects really doesn’t seem to have much to do with this extremely nasty hell-wasp creature. I love that while the Hell Swarm bug has the silhouette that we associate with a hornet or a wasp, the details are all wrong. Two pairs of bulbous eyeballs instead of one. Way too many rows of spikes and mandibles for a mouth. A lot of spikes running down the thorax. Antennae that curve backwards like a demon’s horns. And only a single sickle-shaped insect leg jutting out of one side of the bug body instead of six legs. It almost reminds me of Horror of Horrors above, where we have a familiar silhouette that ends up looking so different due to the details. 

Giant SlugPit Scorpion
Giant Slug! He’s a pretty fun one! Sure, the card itself isn’t that good. A 1/1 that sometimes has the ability to landwalk? While a cute reference of slugs climbing up surfaces, it’s not very good for the amount of mana it demands. But the artwork is pretty great! It’s not enough that this is a giant slug, but its sensory feelers have morphed into tentacles long enough to wrap around luckless adventurers and swallow them in that yawning mouth. The most memorable part of this creature is easily the sinuous eyestalks, however, which terminate in disturbingly human eyeballs!

Pit Scorpion has got a pretty generic piece of artwork, but in addition to being our very first scorpion monster, it’s also the debut of the ‘Poison Counter’ mechanic. The Pit Scorpion might be a humble 1/1, but each time it manages to deal damage to the opposing player, they build up almost incurable ‘poison counters’ and at 10 poison counters, irregardless of anything else, a player loses. It’s a very interesting alternate win condition and a rather creative way to circumvent the ‘player health’ mechanic. Having the 1/1 creature survive to attack the opponent over 10 turns is obviously impractical, but it’s the flavour that matters here. Later on, more than 20 years later, they would even revisit this and give it a lot more support with a Phyrexian-themed set… not bad for a mechanic that was initially just meant to represent the slow death of a bug stinging you over and over again! 

Both ‘Slug’ and ‘Scorpion’ continue to remain as creature types and they survived the Great Creature Type Update, which I extremely appreciate! While scorpions and spiders being treated as something separate, having ‘slug’ actually be loved enough to continue being represented as a race is pretty fun!

DarknessGreed
Two spells now. Darkness is a fun one -- the spell effect does have the idea of sudden darkness happening in the midst of combat (hence creatures still being 'tapped') and causing all the attackers to miss their mark (hence no damage is dealt). But what a fucking cool demon-shadow-creature is represented here! "Creature" is about as much as I can get to describing that thing. It's got a bestial head with a lower jaw that kind of melts off into shadowy tentacles, and apparently it bleeds out shadow demons that look like Xenomorph heads? Very cool. 

Greed has a Phil Foglio artwork, and I really like Phil Foglio artworks which tend to be fun. Look at this guy with a giant pile of coins and he's biting them... but one more coin just out of reach that's glinting and tempting him so much and he wants that. Greed is, to my memory, the first Black card here that has the 'lose life, draw cards' gimmick that would spiral out of control once we get to some of the Yawgmoth cards... but it also fits very well with the flavour of Black being risk-taking in the name of victory! 

Azure DrakeBrine Hag
We have our first Drake with Azure Drake! Just like various editions of Dungeons and Dragons, MTG really wanted to depict the fantasies of both an intelligent, scheming dragon that's closer to power level to a god... but also the fantasy of a large winged lizard that's just a wild animal. Enter the 'drakes', who looks like a dragon but is functionally just a large winged fire-breathing dinosaur. This Azure Drake is apparently an easily-distracted creature that's... I'm not sure if it's spewing blue flame, or if it's underwater and that trail in its mouth is the bubbles it leaves in its wake? 

Insert your own Hearthstone joke here, by the way. Hearthstone's Azure Drake doesn't have much in common with this Azure Drake other than the name and card art, but there are a lot of homages to MTG if you are familiar enough with both franchises. 

Brine Hag is a our very first 'Hag' creature, with a pretty fun art of it lurking -- rather uncomfortably, I might add -- on a rocky outcropping while the waves slam onto her. It's a pretty common trope in fantasy media and especially in D&D to have monstrous, witchy hags as villains, and I like that the Brine Hag curses every creature that causes her death into having their statistics reduced to 0/2.

Wall of VaporWall of Wonder
Unless they're very interesting, I am not really going to talk too much about Walls anymore. But Richard Thomas gives us two very wonderful wall artworks here! Wall of Vapor is one of the many cards in this set that has a more painting-like vibe to it, with a nice usage of colours and a silhouette of a person in prayer hidden 'twixt the vapors. 

Meanwhile, Wall of Wonder takes the exact opposite, where, to quote the flavour text, 'so confusing is the Wall's appearance that few of its victims even see it move'. You've got a creepy Joker-esque jack-in-the box, a giant butterfly, an eyeball, a tentacle-snake monster, and even the dummy from 'Black Vise' and 'the Rack' an expansion ago all arranged together to form a 'wall' right out of the minds of Alice in Wonderland's authors. And this very strange creature can swap its stats around to attack! I like this one. 

Elder SpawnPsionic Entity
Following on the Lovecraft binge that came after 'Cosmic Horror' above, Blue gets Elder Spawn. Being retconned into an 'Elemental' before being more recently re-retconned back into 'Spawn', the Elder Spawn is an amorphous mass of... presumably fleshy goop? It reminds me of like underwater volcanic vents or mutant coral or whatnot, and there seem to be green eyes embedded in this thing's anatomy. The multiple tentacles around a cylinder reminds me of the Elder Thing from the Cthulhu mythos, but the general shape of an amorphous mass reminds me more of the Shoggoth. Now Elder Spawn here is a actually a very bad card since it's one that demands you sacrifice one of your land cards every turn, but it is admittedly rather flavourful. 

(Ia! Shub-Niggurath!)

Psionic Entity is another 'Illusion' creature, and this ephemeralness is represented by its effect, where its effect has it deal damage to another target but will itself disappear. A bit more mundane than the scores of horrors and demons we've just gone through in both Black and Blue, but I do like the idea of a giant grinning snake-hallucination with hands tormenting someone and screwing over their head.

Devouring DeepSegovian Leviathan
We've got a pair of giant sea serpents here. The Devouring Deep has an absolutely mental card art that I love, and a good chunk of how cool it is comes from its very vertically flat mouth with ridiculously large teeth. The rest of the Devouring Deep's body is pretty typical sea serpent fare, but I really like the artwork. It's a shame that... its statline is a very pathetic 1/2 despite having such a badass name, artwork and a Shakespeare quote. That's weaker than a bear! Later retcons would make the Devouring Deep into a 'Fish', meaning this is just a mean-looking eel or something. 

The Segovian Leviathan is even more ridiculous. You see this giant green creature that looks like it's a massive caterpillar-serpent thing. Look at how strange it looks, with that mouth and those eyes! Very cool colours, and those tiny things swimming alongside it -- each small enough to be swallowed up in a single gulp -- are whales. It's got a biblical quote, and the creature type of 'Leviathan'. And... it's 3/3, a puny statline that makes it weaker than Ramirez DePietro. 

Later MTG lore would have some fun with this, handwaving that, no, the Segovian Leviathan is the largest leviathan in its home plane of Segovia. It's just that Segovia is so small of a plane that it's essentially the MTG version of Ant-Man's micro-verse or something. That is such a silly, tongue-in-cheek geeky solution to this inconsistency, I can't even be mad. 

Time ElementalMana Drain
Fuck yeah, Time Elemental! As we'll continue seeing in MTG, the definition for 'Elemental' will vary very widely, and as long as it represents some aspect of nature, anything can be an Elemental. We've gotten past the obligatory classical elementals in Alpha, and now it's time for something completely wacky here with Time Elemental! How do you even describe this? It's a bunch of random clocks arranged together in the vague shape of a dragonfly with a giant set of pincers. Is it meant to be a dobsonfly, then? Two clocks kind of form the 'eyes' of this thing, and what appears to be... a weird clockwork fish acts as its tail? It's got regular insect wings. I love it. 

Time Elemental's effect 'reverses' time by bouncing a card back to its owner's hand, but it also is such a strangely unstable creature that it essentially selfdestructs any time it blocks or attacks, and even deals damage to its controller. Very weird! 

What is that thing in Mana Drain? It's one of the various counter spells that Blue gets in this expansion, but that weird... underwater jellyfish or copepod or aquatic tick or something doesn't look like it's countering magic at all! I guess it's draining magic from the depths of the world? Also, being able to counter a spell and cheat out a huge chunk of mana on your next turn is such an insanely powerful effect that this is printed in the same set as cards like Elder Spawn really baffles me .

Living PlaneArboria
We'll take a brief break from monsters to talk about World Enchantments, something that's new to this expansion. The idea for any of you who's played Yu-Gi-Oh is similar to 'Field Spells', where the entirety of the battlefield is transformed by the World Enchantment. It's very thematic in Green, which has a lot of Land interaction in its flavour. Living Plane, for example, allows both players to turn all their lands into 1/1 creatures, represented by this forest coming alive and strangling a poor man. Look closely to the trunks of the trees behind him, and they have angry cartoonish eyes and mouths!

Arboria is also fun, featuring a giant venus-flytrap-esque plant about to eat a ranger. I like that its jaw is so overly exaggerated with giant fangs, and there are random pitcher plants and mushrooms around it. The effect doesn't feel very flavourful with a world of giant predatory man-eating plants, but they can't all be winners .

Killer BeesHornet Cobra
Green actually receives a lot of new creatures... but a lot of them are 'just animals', and the original version of this article had me trying -- and failing -- to find something super interesting to talk about them. Most of them have been banished down below, although I'll still talk a bit more about every single creature. But talking about a bunch of 'just a boar' distracts from me talking about KILLER BEES. Look at them! They're not just a bunch of angry bee monsters, but they're holding little spears and shields! The rest of them are still shaped like a regular bee. They're not even an insect-person like Xira Arien above. No, as the flavour text notes, this is a 'vicious crossbreed' that has 'unraveled the secret of steel'. I love this thing. 

Hornet Cobra is just a snake with First Strike, but I do like the artwork here. The cobra 'hood' looks so strange, so different from what we'd associate with a regular serpent. It's meant to evoke an insect's veiny wings, but combining the two features together here, particularly with the rather cool detailing on the Hornet Cobra's face, makes this creature look quite interesting.

Giant TurtleWolverine Pack
I will include some of the animals, because I like the flavour of the Giant Turtle. The artwork is fun enough as you see this giant-beaked turtle about to chomp down on the luckless axe-wielding guy, but I love the flavour of it essentially 'retreating into its shell', represented by refusing to attack if it had to block the previous turn. It may be a giant turtle, but it's still a turtle and it'll hide! 

I love Wolverine Pack. I love that the MTG crew was presumably looking at a list of beastly animals that show up in fantasy work, and went "fuck yeah, wolverines." A pack of wolverines are apparently as powerful as a giant turtle!

These earlier sets has everything turned into a creature type, but subsequent retcons and synergies would consolidate a lot of them together, like grouping all of the different birds and insects together. They haven't been the most consistent (all large predatory cats like panthers and lions are 'Cat'; while 'Wolf', 'Hound' and 'Jackal' are separate, for example) but many real-world animals tend to keep their own unique creature type even if there's only a handful of representatives. Wolverine is one of them!

Moss MonsterWood Elemental
Moss Monster is a vanilla creature, and he's not even our first 'plant elemental' visually similar to on Man-Thing/Swamp Thing, but I like this kooky guy. He's made entirely out of leaves, but he's got a pair of deer-horns made out of wooden branches and a mouth filled with sharp, mean-looking teeth. A neat brutish elemental guy! 

Probably one of the worst cards in this set -- or ever printed -- is Wood Elemental, which already costs 4 mana to summon but also has a statline that depends on the amount of untapped forests you sacrifice. If you can't tell, sacrificing any kind of mana card permanently is extremely bad in this game, let alone one that gives you a minimal boost! And it's a vanilla monster, too. The artwork is kind of funny, with a rather wretched expression on the Wood Elemental's face while an army of humans with spears walk up to it. 

Floral SpuzzemCat Warriors
FUCK YEA, the Floral Spuzzem. The Spuzzem would be retconned into an 'elemental', but just look at this thing. Look at how different he is compared to the two more standard 'elemental of the forest' creatures we have above. How do I even describe the Spuzzem? It's a mass of flesh with two large legs sprouting on either side, and its body coils out like a tentacle wrapping around a tombstone or an obelisk of sorts. The result kind of looks like a haunting half-chicken or something. Is it even made entirely of plant matter? Is it flesh? Despite the name 'floral', this thing doesn't have any flowers on it!

The most memorable aspect of Floral Spuzzem, however, is its interestingly-worded card text. "...then Floral Spuzzem may choose to destroy a target artifact". So yes, in a game where the card text normally refers to you, the player, Floral Spuzzem's card text specifies the card itself. Whether it implies that the card is sentient or the creature on the card can undertake actions on its own, it's a fun little mistake that adds to the sheer strangeness of the Spuzzem. WOTC has printed a couple of cards that make fun of this. 

The Cat Warriors are two cat-people that come from the same race that Ojanen above comes from. I like that one of them has a tiger coat and the other has a leopard one. Pretty neat artwork, even if the card itself is just a 'French Vanilla' card with Forestwalk. 

Fire SpritesShelkin Brownie
Two fairies! Fire Sprites are a fun combination of the typical winged fairy with something that's a bit surprising for protectors of the jungle... fire! Although fire, I suppose, is 'natural' enough compared to something like unnatural artifacts. One of the few new faeries added in this expansion. Fire Sprites isn't the only creature that does this, but it's also one of the first few 'cross-colour' aid cards, with the Fire Sprites providing red mana. 

Shelkin Brownie is a fairy that oozes a whole lot of personality. You just know from his grin that he's up to no good! I didn't realize it until looking properly at the card art, but there are two more Brownies lurking in the background a bit more menacingly than the main Brownie. I like the flavour text referencing the real-life lore of the brownies. However, poor Shelkin Brownie is also remembered for being an 'anti-Banding' card... when Banding itself is already a mechanic that's not the most popular or useful. 

EurekaCocoon
Look at this! Look at Eureka! This wizard is super-duper excited to see this random little green genie-sprite-fairy show up holding the iconic E=MC² formula. That is such a random thing to see here... early MTG references a bunch of real-world people (particularly in flavour text), but one of the most significant science equation showing up as a huge magical revelation? In Green instead of Blue, to that?

Is this the inspiration for 'Cocoon of Evolution' in Yu-Gi-Oh? MTG's Cocoon has a rather grody artwork of a neon-blue cocoon with a stinger at the end, and the background is a very indistinct fleshy thing. The Cocoon enchantment essentially wraps one of your creatures and prevents them from untapping and doing stuff over three turns... and after that, they emerge from the cocoon with +1/+1 and Flying. The end result is weak for the amount of time you spend on it, but points for flavour!

Spinal VillainBeasts of Bogardan
We are going to Red now, and we'll start off with one of the downright weirdest designs in this set. Spinal Villain! Its name or flavour text aren't really indicative of what it is, and the great creature update isn't much helpful by classifying this thing as the very ambiguous 'Beast'. Which makes it a lot weirder than if they had called this thing a Horror or a Demon! This is just a natural beast that lives in Dominaria, apparently. 

What a weird thing! Its effect and statline aren't anything to write home about, but the design! It's like some kind of armour-plated worm-thing with skinny gorilla arms that terminates in two long fingers. I didn't realize until now that the fingers terminate in multiple nails, too, which just adds to the weirdness of it all. And that face, what the shit? Two giant tusks, a vertical mouth that vomits out a mass of tentacles, two strange cashew-shaped... eyes? The more I look at it, the weirder it gets!

Also classified as a 'Beast' are the Beasts of Bogardan. Which fits more with what a 'Beast' would be in my head -- the Beasts of Bogardan here aren't quite dogs, aren't quite goats... they look just close enough to real-world animals without actually matching any one perfectly. Fits the idea that these guys would be what evolution would take hounds or goats in a different land (and maybe with some magic tossed in). Actually, is this supposed to be a three-headed creature like a Cerberus? The fact that it wasn't retconned into having the creature type of one probably means not.

Firestorm PhoenixCrimson Manticore
A lot of these cards are notable by the simple fact that often times it's our first 'X' creature. In this case, Firestorm Phoenix is our very first phoenix! A pretty impressive artwork, being a bird on fire flyting through the sky. It has Flying, of course, but something more fun is that they actually managed to fit in the flavour of a phoenix by having it be able to regenerate after death -- admittedly, going from the graveyard to the opponent's hand and being forced to stay there for an extra turn is very slow, but the principle of the matter is there. 

Crimson Manticore! This is our very first Manticore, and being a slightly-more-obscure mythological creature, I am so happy that Manticores were allowed to keep their race unique instead of being folded into the Sphinxes or something. The Crimson Manticore here does have some goofy proportions, however -- very short legs supporting that lion body with dragon wings and scorpion tail, and an utterly massive old human's head attached to it. As the flavour text notes, they are good allies everywhere except for dinner tables. 

Quarum Trench GnomesPrimordial Ooze
I am not sure which fantasy franchise pioneered the idea of gnomes as tech-savvy kooky gadgeteers. But Quarum Trench Gnomes is fun! (I thought he was a Quantum Trench Gnome) Again, another one where the outfit does look a bit anachronistic to the rest of the middle-ages swords-and-spells fantasy genre, but I do like how wacky the drilling equipment of this guy is. He's got a little spinal drill, and a backpack that kind of sucks in the things he is mining through some bendy tubes up. Cute! Also, this is notable for being the only flesh-and-blood gnome that MTG will have... until a long, long while. Basically all the way until the D&D crossovers, I believe! MTG would re-flavour gnomes as being clockwork artifact creatures. 

Oh yeah, very cool. The Primordial Ooze is a, paraphrasing its flavour text, 'moving mass from the beginning of evolution' that digests everything in its path, animate or inanimate, to further its existence. This is our very first ooze, and I really like its artwork! For the longest time, I thought the thick black tendrils were the ooze itself, but those are artificial pipes that are attached to that strange ancient ruins. The ooze is the brown liquid leaking out and pouring down the side of the ruins, probably shaken loose by an earthquake or something. That's such a nice little setup to a horror B-movie, isn't it? 

I do like the effect too, where the Primordial Ooze mindlessly attacks, mindlessly grows, and you have to keep pumping mana into it (more mana as it grows, too!) otherwise it'll turn around and attack you

Chain LightningKobolds of Kher Keep
Chain Lightning doesn't exactly have the most informative art that sets it apart from any ol' lightning weather phenomenon, but I really do like its effect and I believe this is one of the many burn cards available to Red at this point in time. I do really like the flavour of each player pumping mana into Chain Lightning to have it jump back to a second target on the opponent's side of the field, and so on and so on. The catch? It needs to be Red Mana pumped into Chain Lightning, meaning that some players just have to shrug and take the brunt of this damage. Fun! 

The rest of red will cover the Kobolds, which I mentioned above was a new creature type introduced in Legends that... was one of MTG's first attempts to try and spotlight a creature type/race. It... did not go so well. Let's look at Kobolds of Kher Keep, yeah? It's a 0/1 Kobold that is casted for 0 mana, and the card text... gives you absolutely nothing. It just re-explains that this card counts as a Red spell, which is already indicated by the borders. The artwork is charming enough, being red-skinned humanoids in hilarious sleeping outfits, but here's the problem:

Crimson KoboldsCrookshank Kobolds
Look at Crimson Kobolds and Crookshank Kobolds. Notice something? Yes, they all have the same effect as Kobolds of Kher Keep. 0-mana 0/1. Which means that we've spent 3 card slots and card names just to duplicate a creature with the exact same stats. It would be something if said creature was actually useful in some way, because perchance you can now have 12 copies of the same card instead of 4 copies... but they're all 0/1 vanilla creatures, which meant that there really was no incentive to play them. 

Also, from a 'reviewing monsters' perspective... there is also no thematic continuity with these guys. Early MTG already has some problem keeping orcs and goblins distinct due to the difference in artist art styles, but at least you could make an educated guess about the height. But the Kobolds? Kobolds of Kher Keep are red-skinned, portly and comical. Crookshank Kobolds looks like a warrior that's a cross between an angry monkey and a goblin, and he's got purple skin. Crimson Kobolds doesn't even look like he's the same race as the other two, looking more like a werebear or something. 

Kobold TaskmasterKobold Drill Sergeant
The way that these cards were originally meant to interact with each other is that you'd spam the board with the 0/1 kobolds, and then use these 'lord' style cards to buff them. In addition to Kobold Overlord (which I included after the break), we've got Kobold Drill Sergeant and Kobold Taskmaster, all of which buff the kobolds with frankly rather minimal stats and  effects for the card investment that they're asking. The way that creature types worked, only the ones with 'Kobold' in their creature type can get this buff. Later updates would make all of these buffing cards count as Kobolds as well, but it's still quite nothing. 

And there's still the inconsistency in artwork. Kobold Taskmaster is straight-up just a muscular goblin-orc guy whipping his minions. Yeah, the flavour here is that the stronger kobolds abuse the weak and this abuse is what gives them the stat gain as the lesser kobolds are forced to work. Meanwhile, sharing an artist with the Kobolds of Kher Keep, the Drill Sergeant has an actually fun artwork where the Drill Sergeant kobold is wearing a set of modern-day army outfit. If nothing else, it's silly and fun to look at.

Thunder SpiritAmrou Kithkin
And now we're on the home stretch with the White cards. the original version of this article had me try and have equal representation among all five colours (and multi-coloured) cards, and that led to a very dreary breakdown of a lot of the White-colour cards... which is a bit of a mistake on my end. I have gone on record that particularly with early MTG, White is my least favourite colour flavour-wise, and I'm not going to force myself to write up a short paragraph for a dozen cards that I don't actually have anything interesting to say. 

Thunder Spirit is quite cool, though. Later retcons would establish him as an Elemental SpiritI really like how he's just this silhouette of a pointy-headed, pointy-eared winged being, whose hands just erupt into tendrils of lightning over the field. It's not quite a 'god' or an 'angel' like you'd expect, but I do like them diversifying a bit. 

Amrou Kithkin is something that I do have something to say about, though! I'm not sure if they had a whole new humanoid race in mind when they made this card, but Kithkin in MTG would eventually take on the role of Halflings from D&D or Gnomes from Warcraft, as the slightly-shorter humanoid race. That's not going to come until much later in the Lorwyn block, but I am quite surprised to see a representative this early in the game's life. I like the flavour text and how it matches the effect, where the Amrou Kithkin is so versatile and used to dodging and weaving around larger opponents that she can't be blocked by strong creatures. 

Elder Land WurmPetra Sphinx
Elder Land Wurm is interesting. MTG's Wurms tend to be gigantic worm-beasts that tend to bring to mind creatures from Dune or Tremors (just like the iconic Craw Wurm from Alpha), but this guy is very clearly a dragon sleeping in the desert. I guess back in the day they just didn't have consistent terminology? Subsequent retcons would make this guy a 'Dragon Wurm', which... okay, I guess.

I like the flavour text and the effect as well. "It's best to let sleeping dragons lie", and the Elder Land Wurm can only attack after it's been blocked once... in other words, it needs to be struck by an opponent before waking up and wreaking havoc. 

We also have our very first Sphinx, the Petra Sphinx. In MTG, sphinxes would eventually graduate to become one of the iconic Blue monsters -- fitting with the riddle theme and Blue being associated with knowledge. But just like how the first hydra debuted in Red instead of Green, I do find it interesting that in an alternate universe where they doubled down on this, sphinxes might be characterized in MTG as more 'holy' beasts. You can see that particularly with the Petra Sphinx artwork here, which does admittedly look quite holy with the wings and lion mane!

Land TaxPresence of the Master
Land Tax is a hilarious Enchantment, showing a frazzled-looking fat tax collector holding a bag of money. I guess taxation is 'lawful' even if it's not always morally right. It's an interesting enchantment that allows you to search for land cards in your deck if your opponent has more lands active thatn you. That's cute!

Apparently, Eureka up above in Green isn't the only Einstein reference here, because the dude shows up in Presence of the Master here. In addition to the rather badass artwork of him posing surrounded by the planets, apparently Albert Einstein's presence has the ability to counter all new enchantments. I realize the novelty of having non-fantasy elements show up is a bit diluted with so many crossovers that MTG's had in recent years, but a real person is still going to be quite interesting, I think! 

Triassic EggSerpent Generator
The expansion ends with, as usual, a bunch of Artifacts and Lands. I'll never talk about Lands in the main part of the article, but some artifacts are fun enough for me to talk about in terms of a monster design. Triassic Egg is quite cute, even if its existence does hint that Dominaria has its own version of a Triassic age. Pumping mana into Triassic Egg eventually lets it hatch and summon an 'ancient creature'... represented by you summoning a creature from the graveyard into play!

The best artifact ever has to be Serpent Generator. After so many artifacts that are just some variation of magical jewelry or a sword or a golem, Serpent Generator is a sausage-making machine that somehow turns that molten red liquid into snakes. The snakes have the same poison-counter mechanic that Pit Scorpion has, but that doesn't really matter. Look at how ridiculous that artwork is! This is the kind of wacky that I approve of.